Attack control

ENVELOPE FILTER PEDALE A G E N A E N V E L O P E F I L T E R The Maestro Agena Envelope Filter pedal is designed for ease of use and is tailored for optimized dynamic control. The Agena offers two distinct filter frequency options for a wide range of tonal possibilities. Musical and inspiring, it will surely bring on the funk. This all-analog pedal boasts a two-position Mode toggle switch for increased sonic versatility. The LO mode setting focuses the filter in a lower frequency range, while the HI mode emphasizes a higher range of frequencies. The intuitive 3-knob control layout lets users quickly set the desired Sense (the envelopeb'/xe2/x80/x99's sensitivity and response to your picking attack), control the Attack (how fast the filter increases or opens up), and adjust the Decay and how long the filter stays in the open position. The true bypass footswitch triggers the LED lights in the bugles in theb'/xc2/xa0' Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.

SOLTON KETRON SD-1 PLUS in perfetto stato + pedaliera FS6 switch e custodia morbida. KEYBOARD 76 half-weighted keys.After touch. 6 new Velocity Curves. POLIPHONY 64 notes.32 multitimbral. SOUND GENERATION 310 New Presets (programmable), 350 GM Voices. 128 User Voices. 80 One Touch setting. 16 digital Drawbars.Up to 1000 Drum Percussion Sounds. RAM 16 MB RAM. Single &Block Sound loading. Files.Wav,Msp and Ins supported. ARRANGER 131 New Flash Styles (rewritable).168 ROM Styles. Style setting. 4 Arranger, 3 Intros/Endings, 3Fills Ins, Break, Fill To End, Jump. Interactive accompaniment. Tap tempo. Accelerando & Ritardando.Tempo Slow/Fast. 1 Touch to Style. Chord solo. BASS Manual Bass, Bass to Lowest, Basso to Root. Bassist. PIANIST Auto/Standard mode. DRUM SETS 24 New Internal Drum Sets.24 User Drum Sets. 50 Live Drums. Manual Drums.Drum Mixer.10 Drum Sections. PROGRAMS 128 Programs.4 voices.Modes:Duet,Trio,Steel,Morphing. Single & Global Program Disk loading. 2ND VOICE 2nd Voice programmable for each Preset and User Voice. 2nd Voice to Disk. MIDIFILE PLAYER SMF Song playback.Real Time song recording.Songs with lyrics,karaoke and files Txt. Juke box.Intelligent Transposer. Demo&Hit folder. Drum&Bass. Lead Off. XD Series Remap. DRUM REMIX Real time interactive MIDI ?le and Style playing. Song and Style select. OCTAVE Up/Down +/-1 Octave. HARMONY Full,Jazz,Double Up, Double Down, 5th, Bluegrass,Trill,Folk1, Folk 2, Repeat & Speed control. PORTAMENTO Rate control +/-64.Mono Legato function. TRANSPOSER +/-24 half tones AFTERTOUCH Assignable to Cut off,Volume,Bend,Slide,LFO,Attack,Treshold and Sensitivity control. MOD.WHEEL LFO to Pitch,to DCF,to DCA,Wha Wha,Swell,Rate.Rotor speed control. PITCH WHEEL Tune +/-99 Cents.Vibrato On/Off.Bend value 0/24.Bend to LFO,DCF,DCA. ARABIC SCALE Tune +/-99 Cents per note.13 Arabic set ups footswitch assignable. ACCORDION MODE International,Belgique.Left/Right velocity control.Bass octave.Bass Sustain.Bass to Chord recognition, Lower octave. Left drum to Bass &Chord. Bass Off on Stop. EFFECTS 3 digital multi effects DSP 's.60 differents effects,Reverberation,Chorus,Flanger,Delay,Wha Wha,Distorsion,Overdrive,Rotor,Equalizer +/-12 Db (Low,Middle,High).16 User Effects. SAMPLER 16 Mbyte sampling 16 Bit -44.1 KHz. Multisampler editor. Wav Sync to Style. VOCALIZER Vocalizer unit.Harmonizer.Vocoder,Melody types.MIDI Vocalist track.Left&Right assignment. Filter edit.Vocalizer modes. MICRO 2 Micro input:XRL Balanced,Mono Jack.2 Micro Out to external mixer.Level Pan Pot,Echo,Reverb,Pitch Shift+/- 12,Dry. MIDI In1,In2,Out,Thru.32 MIDI channels.General MIDI Standard. SEQUENCER 16 Tracks,150.000 notes. FLOPPY DISK 3.5 2DD/HD. HARD DISK Type ATA IDE 2.5. 6Gbyte.Up to 99 folders.Master folder. Bonus Library: Stereo Grand Piano.Orchestral sounds. 200 Midi files. 200 Song Single Registrations. 35 Patterns. Internal Style backup folder. X & XD Series Style Conversion. DISPLAY 240 X 128 Pixel baklit graphic TCF OUTPUTS Out 1Left/Mono.Out 2Right.Out 3.Out 4.Sustain Pedal.Footswitch (6 or 13 switches).Micro1 Out.Micro2 Out. GM/Keyboard Out assignment to 4 audio Outputs INPUTS Stereo headphone.MicroXRL.Micro Jack.Micro Gain control. OPTIONAL Video Interface.Volume Pedal.Volume Pedal 4 switches.Sustain pedal.Footswitch FS6-FS13.MIDI Pedalboard. COMPUTER PC/Mac Interface.Cable&Software. DIMENSIONS 119 X 39 X 12 Cms WEIGHT Kg 16.5

FUZZ-TONE FZ-M PEDALE FUZZ A Direct Descendant of the Very First Fuzz Pedal Maestro created the worldb'/xe2/x80/x99's first fuzz pedal b'/xe2/x80/x93' the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965b'/xe2/x80/x99's (I Canb'/xe2/x80/x99't Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.

Ciao. Ti propongo un magnifico strumento della dea Musica: un compressore, espansore di dinamica (PERFETTO) della Threshold. The DBX 119 was developed for audiophiles and professional sound engineers who need a greater compression range and the capability of expanding or compressing above a pre-set threshold. The DBX 119 can re-expand the limited dynamics of tapes, records and FM broadcasts and bring your music back towards it is original dynamics. The 119 is easily connected to your receiver or integrated amplifier/preampliifer. Specifications; Compression & expansion: continuous from 1.4 compression slope (14 dB output change/20 dB input change) to 2.0 expansion slope (20 dB output change/10 dB input change) - Dynamic range: 120dB input or output - Input noise: -110 dBm typical, -100 dBm maximum - Input level: maximum input signal in excess of 30 Volts RMS - Input impedance: 50K ohms - Output level: maximum output 10 Volts RMS open circuit; +17 dBm into 600 ohms - Output impedance: 500 ohms - Distortion: 0.5% maximum 20 Hz, 0.2% typical above 50 Hz for complete cycle of compression and expansion; 1.2% 20 Hz for 2:1 expansion;.05% typical 1 KHz and above for any setting of controls (3 Volts RMS or less input or output.) - Frequency response: +0, -1dB 20 Hz to 20 KHz - Attack time: 50 dB/m Sec maximum initial attack rate 1.4 expansion. 12 mSec to 65% of final value any setting of compression or expansion. Adjusted to be within integrating time of human ear within the constraints of reasonable low frequency distortion. - Release (decay) time: constant rate 140 dB/sec (norm) or 50 dB/sec (slow) 1.4 expansion - Level match control: unity gain point may be varied from 100 mV to 1 Volt - Power consumption: 115 VAC 50-60 Hz 2 Watts - Dimensions: 3 3/4 x 5 1/4 x 9 inches - Weight: 4.5 lbs. Provvisto di manuale, spedisco con corriere a costi modici. Grazie per l attenzione, buona vita a te. Andrea

Subsequent 37 b'/xc3/xa8' un sintetizzatore analogico parafonico (2-note) realizzato da Moogb'/xc2/xa0' sullb'/xe2/x80/x99'architettura pluri premiata del potentissimo Sub 37 Tribute Edition. Sul pannello di controllo si trovano 40 potenziometri e 74 selettori che vi daranno un immediato controllo su una vasta gamma di tools per il sound design analogico e il controllo del sequencer. Ogni miglioramento del nuovob'/xc2/xa0' Subseq uent 37,b'/xc2/xa0' mantiene la magia e le caratteristiche del suo predecessore, offrendo allo stesso tempo accesso a nuove dimensioni di sonoritb'/xc3/xa0' e una suonabilitb'/xc3/xa0' migliorata. La sezione mixer del Subsequent 37 offre il doppio di headroom del Sub 37 Tribute Edition. Questo consentirb'/xc3/xa0' di accedere ad una nuova gamma di suonoritb'/xc3/xa0' classiche pulite sia in modalitb'/xc3/xa0' mono che duo. Sfruttando la nuova flessibilitb'/xc3/xa0' del mixer, lo stage di guadagno nel filtro Ladder b'/xc3/xa8' stato ridisegnato per aumentare la saturazione armonica e la compressione analogica, che porta ad un complessivo arricchimento della parte bassa. A completamento della evoluzione sonora del Subsequent 37 abbiamo rivisto il circuito Multidrive, che si estende ora ben oltre il b'"'grit and growlb'"' del Sub 37 originale. In aggiunta al potenziamento del sound engine, il Subsequent 37 offre una tastiera aggiornata per una migliore suonabilitb'/xc3/xa0', un amplificatore per cuffia potenziato e sufficientemente potente per essere utilizzato con le cuffie pib'/xc3/xb9' esigenti, ed un plugin/editor software sia per Windows che per Mac. Architettura: Tastiera 37 note: Leggera, con swift action e aftertouch Uscita cuffie High-Power: Puoi preparare i tuoi suoni anche nellb'/xe2/x80/x99'ambiente pib'/xc3/xb9' rumoroso Modulazione e sequencing esteso: 2 mod bus assegnabili, 2 inviluppi DAHDSR looping e un arpeggiatore/sequencer ultra potente 256 Preset: 16 banchi di 16 patch Editor software gratuito: Funziona come un plugin per DAW o come editor standalone Sound Engine: 100% Analogico Polifonia: Selezionabile Monofonico o Parafonico Controller: Pitch Bend, Mod Wheel, After Pressure, Velocity Fonti Sonore: 2 Oscillatori Variable Waveshape, 1 Oscillatore Square Wave Sub, 1 Generatore di Analog Noise, 1 External Input/Filter Feedback Range di calibrazione oscillatore: 22Hz-6,8kHz, Note Range A 8' = 18 - 116 Modulo Glide: Assegnabile a Osc1/Osc2/Entrambi. Tipo - Lcr, Lct, Exp, Gated, Legato Filtro: 20Hz-20kHz Moog Ladder Filter W/ 6/12/18/24 Db/Oct Filter Slope e Multidrive Trasposizione: +/- 2 Ottave Arpeggiatore/Sequencer: Up, Down, Order, Random, Latching, Back/Forth, Invert, +/-2 Range, Tie, Rest, Midi Sync, Sequencer 64-Note Fonti: LFO (Triange, Square, Saw, Ramp, Sample b'&' Hold), Filter Eg/Pgm Fonti Programmabili: Amp Env, Constant On, Sine LFO, Noise LFO, Osc 1 Pitch, Osc 2 Pitch, Seq Note, Seq Vel, e Seq Mod Destinazioni: Osc 1 Pitch, Osc 2, Osc 1 b'&' 2 Pitch, Filter, LFO Rate, Vca Level, Osc 1 Wave, Osc 2 Wave, Osc 1 b'&' 2 Wave, Noise Level, Eg Time/Pgm Destinazioni Programmabili: Filter Resonance, Filter Drive, Filter Slope, Filter Env Amount, Filter Keyboard Amount, Osc 1 Level, Sub Osc Level, Osc 2 Level, External In/Feedback Level, Osc 1 On, Sub Osc On, Osc 2 On, Noise On, External In/Feedback On, Arp Rate, Arp Clock Division, Arp Range, Arp Back/Forth, Arp Ends, Arp Invert, Arp Gate Length, Arp Run, Glide Time, Glide Osc Choice, Glide Type, Glide Gate, Glide Legato, Glide On, Lfo 1 Clock Division, Lfo 1 Range, Lfo 1 Sync, Lfo 1 Keyboard Reset, Lfo 1 Keyboard Track, Mod 1 Pitch Amount, Mod 1 Filter Amount, Mod 1 Programmable Amount, Mod 1 Programmable Destination, Lfo 2 Clock Division, Lfo 2 Range, Lfo 2 Sync, Lfo 2 Keyboard Reset, Lfo 2 Keyboard Track, Mod 2 Pitch Amount, Mod 2 Filter Amount, Mod 2 Programmable Amount, Mod 2 Programmable Destination, Osc 1 Oct, Osc 2 Sync, Osc 2 Keyboard Reset, Osc 2 Oct, Osc 2 Keyboard Control, Osc 2 Duo Mode, Osc 2 Freq, Osc 2 Beat Freq, Filter Env Attack, Filter Env Decay, Filter Env Sus, Filter Env Release, Filter Env Delay, Filter Env Hold, Filter Env Vel Amount, Filter Keyboard Track, Filter Env Multitriggering, Filter Env Reset, Filter Env Sync, Filter Env Loop, Filter Env Latch, Amp Env Attack, Amp Env Decay, Amp Env Sus, Amp Env Release, Amp Env Delay, Amp Env Hold, Amp Env Vel Amount, Amp Keyboard Track, Amp Env Multitriggering, Amp Env Reset, Amp Env Sync, Amp Env Loop, Amp Env Latch, Output Volume, Bend Up, Bend Down Caratterisrtiche Pannello LFO: Hi/Low Range da 0.01Hz-1kHz, Midi Sync, Kb Reset Inviluppi: Inviluppi DAHDSR con Multi-Trigger, Reset, Looping, Midi Sync, Latch, e controllo variable di Eg Delay, Hold, Velocity Amount, Kb Tracking Dimensioni: 171 x 679 x 355mm Peso: 10kg

Multieffetto rack per chitarra / preamp boss gx700 racchiude in un unico rack tutti gli effetti della serie boss molto caldo e versatile prezzo 200 euro trattabili scheda tecnica boss gx700 guitar effects processor/preamp published in sos june 1996 printer-friendly version • noise gate: with user control of threshold setting. • compressor: with variable attack and release characteristics, plus control over sustain and tone. in common with all the other effects blocks, this also has a level parameter. • wah: this classic effect is familiar to guitarists everywhere, and can be recreated quite convincingly with the gx700, either under lfo or pedal control. the resonance of the wah effect can be varied, as can the frequency range over which the effect sweeps. • distortion: i suspect this section is based around the concepts used in the boss analogue pedals. the choices available include vintage od, turbo od, blues, distortion, turbo distortion, metal and fuzz. in addition to an adjustable drive level, the distortion settings also have a basic 2-band bass/treble equaliser. • preamp: this is where cosm modelling comes into play, because here you can select from several amplifier characteristics, including jc120, clean twin, match drive, big lead, ms1959 (i), ms1959 (ii), ms1959 (i+ii), sldn lead and metal 5150. the available controls include the usual bass, middle, treble and presence, as well as the volume/master volume method of setting the amount of amp distortion, and a 'bright' switch. a gain parameter is also included, which affects the distortion amount. • loop: this isn't an effect at all, but rather a means of switching in an external effect or processor. the loop function connects via the rear panel jacks, and has adjustments for both send and return levels, which is a sensible inclusion. • 3-band eq: despite the fact that the overdrive section and the preamplifier both have tone controls, there's also a 3-band equaliser with a fully parametric mid section. • speaker simulator: this again offers several choices: small, middle, jc-120, built-in 1-4, big stack 1-2, ms stack 1-2 and metal stack. there are also three possible virtual mic settings, for close miking and more distant miking, and separate level controls are provided for the mic level and the direct level. • noise suppressor: this comes at the end of the amplifier chain, but before the effects. however, because the effects can be connected in any order, it can be used elsewhere if you have a reason for doing so. personally, i'd be inclined to use it after the modulation effects (for anything that doesn't involve level modulation, such as panning or vibrato), but before any delay or reverb effects. as far as the user parameters go, these are really down to threshold and release time, though you can also choose to key the gate from either the noise reduction block's own input or from the guitar input jack.

Roland TR8 Rythm Controller TR-8 è un drum machine che fonde le inconfondibili sonorità di TR-808 e TR-909 con tutte le comodità odierne. I suoni caratteristici, i classici effetti e i controlli intuitivi. A tutti gli effetti una TR! L'essenza dell'originale Riproduzione competa delle classiche TR-808 e Tr-909, basata sui progetti originale e sull'analisi della circuiteria effettivamente usata sulle macchine originali. La nuova tecnologia Analog Circuit Behavior permette di ricreare il suono e il comportamento di ogni singolo elemento,incluse le più piccole variazioni di tono che si verificavano al muoversi dei vari controlli. Massima attenzione ai dettagli, come la riproduzione delle variazioni di tono quando più strumenti sono inseriti in step accentati Step sequencer con TR-behavior, inclusi i pattern A e B e la possibilità di suonare e registrare in realtime. TR Evoluzione 16 kit composti da 11 strumenti, inclusi alcuni kit misti, che usano suoni della TR­808 e della TR­909 Comodissima manopola del tempo, tasto "Tap" e knob di "Fine" e "Shuffle" Knob dedicato all'intensità dell'accent Riverbero e delay su step, con controllo dedicato Ingresso external IN con funzioni automatiche di gate e duck, per ottimizzare il collegamento con TB­3 Display LED a 7 segmenti e 4 caratteri e 16 pad con illuminazione colorata Creazione dei pattern in realtime, fino a 32 step Rullate realtime (ottavi, sedicesimi, VARI1 e VARI2) Copia e randomization dei pattern, per il massimo della creatività Due uscite analogiche assegnabili e uscite parallele via USB, per una flessibilità totale Su TR­8 ogni controllo è solido e preciso, con un fader individuale per ogni strumento. I tasti e gli knobs sono illuminati in RGB, garantendo comodità e colpo d'occhio. Creare i pattern è semplice e divertente, grazie all'evoluzione del metodo TR­REC, quello originariamente pensato per TR­808 e poi divenuto uno standard. Il nuovo metodo TR­ REC supera però l'originale, permettendovi di passare in un secondo dalla programmazione al realtime play. Lo Scatter è una funzione unica che offre la possibilità di variare i propri pattern in un modo completamente nuovo e completamente realtime. Si può invertire, interrompere, bloccare, ripetere fino a livelli estremi, il tutto in perfetto sync. Scegliete tra 10 diversi tipi di scatter, e dosate l'intensità dell'effetto, grazie alla comoda dial. Passate da un tipo di Scatter all'altro in un istante, e inserite o disattivate l'effetto in qualsiasi momento. TR­8, moderna e accattivante, è progettata per lavorare perfettamente con gli altri prodotti della serie AIRA. Inoltre, potrete collegare TR­8 al vostro computer per trasmettere i dati audio e MIDI, incluso il MIDI Clock per mettere in sync dispositivi esterni e le altre unità AIRA. Funzioni aggiuntive Versione 1.10 BACKUP AND RESTORE Salvataggio e caricamento dei kit e dei pattern su USB SUONABILITÀ MIGLIORATA Personalizzazione dei kit regolando il gain di ciascuno strumento per personalizzare lo stile Funzione roll migliorata, più semplice, controllabile e migliore Scatter latch on/off Lo scatter si disattiva automaticamente dopo un ciclo Sync reset, per entrare subito nel groove iniziando un pattern dall'inizio EDITING MIGLIORATO Funzione "lock" per bloccare l'impostazione di un pattern e poterlo modificare senza perdere le impostazioni originali Modifica delle parti A o B di un pattern senza bisogno di stoppare il sequencer MIDI MIGLIORATO Funzioni Local ON/OFF e Controller per impostare il modo in cui sono gestiti i dati MIDI Velocity MIDI legata all'impostazione dell'Accent Selezione dei Kit attraverso i MIDI Control Change Scatter completamente controllabile via MIDI Registrazioni dei pattern in real time da dispositivi MIDI esterni Disattivazione di tutti i messaggi MIDI in uscita Ignore Play/Stop, segnele se TR-8 deve oppure no rispondere ai messaggi PLAY e STOP Controllo degli effetti attraverso i messaggi di MIDI Control Change Specifiche User Drum Kits:16 User Patterns: 16 Steps per 1 measure: 1 - 16 steps x 2 (Variation A/B) Tempo: 40 - 300 Instruments & Controls: BASS DRUM: LEVEL, TUNE, ATTACK, COMP, DECAY, INST SELECT SNARE DRUM: LEVEL, TUNE, SNAPPY, COMP, DECAY, INST SELECT LOW TOM, MID TOM, HIGH TOM, RIM SHOT, HAND CLAP, CLOSED HIHAT, OPEN HIHAT, CRASH CYMBAL, RIDE CYMBAL: LEVEL, TUNE, DECAY, INST SELECT Effects and Controls: ACCENT: LEVEL, STEP REVERB: LEVEL, TIME, GATE, STEP DELAY: LEVEL, TIME, FEEDBACK, STEP EXTERNAL IN: LEVEL, SIDE CHAIN, STEP Mode: TR-REC, PATTERN SELECT, INST PLAY, INST REC, DRUM KIT SEL, DRUM INST SEL Controllers VOLUME knob SCATTER knob TEMPO knob FINE knob SHUFFLE knob PADS: 16 MODE buttons: 6 CLEAR button VARIATION buttons: A, B SCALE button LAST STEP button START/STOP button SCATTER ON button SCATTER DEPTH button TAP button Power Switch (Rear) Display: 7 segments, 4 characters (LED) Effects: REVERB, DELAY, SIDE CHAIN Scatter: Types 10 Nominal Input Level: -10 dBu Input Impedance: 100 k ohms Nominal Output Level-10/+4 dBu (Selectable) Output Impedance: MIX OUT, ASSIGNABLE OUT: 1 k ohm PHONES: 130 ohms Connectors PHONES jack: 1/4-inch stereo phone type MIX OUT (L/MONO, R) jacks: 1/4-inch phone type ASSIGNABLE OUT (A, B) jacks: 1/4-inch phone type EXTERNAL IN (L, R) jacks: 1/4-inch phone type USB port: USB type B (Audio, MIDI) DC IN jack USB: Audio, MIDI Power Supply: AC adaptor Current Draw: 1,000 mA Accessories: Owner's manual Leaflet "USING THE UNIT SAFELY" AC adaptor Dimensioni Largo,Prof., Alto (W/D/H): 400mm/260mm/65mm Peso: 1.9kg

Mitica tastiera Roland E86 Midi File,con manuali originali. e custodia x trasporto Perfettamente funzionante. vendo causa trasferimento. E-86 SINTETIZZATORE INTELLIGENTE 61 Tasti, Velocity Sensitive, Azione di tipo sintetizzatore. SOUND SOURCE: sorgente sonora di nuova concezione con TVF (GM / GS - Format). MASSIMA POLIFONIA: 28 voci. TONES: 241 Tones + 9 Drum Sets. Toni di variazione migliorati. MACRO EDITING: Vib Rate, Vib Depth, Vib Delay, Cutoff Freq, Resonance, Attack Time, Decay Time, Release Time. STILI MUSICALI INCORPORATI: 56 ad alta definizione di 120 tpqn (ticks per semiminima) Compreso Pitch Bender, Control Changes, ecc.); 8 tracce polifoniche per ogni divisione. USER STYLES: 8 completamente programmabili (8 tracce per ogni stile). PROGRAMMI UTENTE: 128 SONG COMPOSER: Direct To Disk. EFFETTO INCORPORATO: Digital Reverb, Chorus. FLOPPY DISK DRIVE: riproduzione SMF senza caricamento. User Style, User Style Set, User Program, MIDI Set Carica / Salva.

Yamaha RX5 Drum Machine con sequencer e songs Real Time record 12 channel mixer with stereo out plus 12 individual outputs Polyphony - 16 voices Waveforms - 24 internal 12-bit PCM samples (Bass, Snare, Rimshot, Tom Toms, Electric Toms, Hi Hats, Ride Cymbal, Crash Cymbal, Chinese Cymbal, Claps, Tambourine, Cowbell, Shaker). Additional 28 voices from ROM and 12 voices from RAM. LFO - Basic pitch modulation Envelope - Attack / Decay Effects - Reverse, Damp, Pitch Bend, Accent Sequencer - Real Time and Step Time Drum Sequencer. Patterns - 100 Patterns (99 measures) Songs - 20 Songs (999 patterns) Keyboard - 24 Pads (no velocity) Memory - 100 Patterns, 20 Songs, 3 Chains. Accepts RAM4 to store sequence & voice data Control - MIDI In/Out/Thru; Clock In/Out Date Produced - 1986 Con manuale originale. Completamente funzionante, usata pochissimo in studio e in ottimo stato di conservazione. Vendo per inutilizzo al miglior offerente. Merce testabile e ritirabile presso lo studio di Ponsacco (Pisa). Spedizione e/o trasporto a carico dell'acquirente. Contattare Marco al 347.3000.281

BACK TO THE FUTURE: Music Man Bass Amps are made by adding to the original look and classic tone concepts the current advanced technology and the innovations from Marco De Virgiliis that put Markbass at the top of the bass amplification worldwide! The BH 500 amp features a solid state preamp and a 500-watt analog power amp with an impeccable bass frequency reproduction and incredibly warm tone. Starting from the Treble and Bass EQ basic controls the rich 5 band EQ section allows to taylor the sound of your bass for any kind of music style. SUGGESTED SELLING POINT > “A well known face” The fine bass amps manufactured by Music Man in the mid-to late-1970s have earned the trust and respect of musicians worldwide for their classic tone and impeccable sonic integrity. When we can find “a well known face” behind a brand, we can also find an unprecedented loyalty and trust from their customers: they know exactly what to expect when they purchase this product. > Solid state preamp, complete EQ section, 500 W analog power The BH 500's solid-state preamp has a warm and natural sound, and faithfully reproduces the true tone of your instrument, thanks to the complete and effective 5 band EQ section you can have a wide range of tones, allowing instant access to two different EQ settings as it’s footswitchable—a very useful feature for live applications. The 500-watt analog power amp supplies great attack and definition with impeccable bass frequency reproduction. > Back to the future The BH 500 respects the seventhy design adding the benefit of new modern standard, with a long term reliability thanks to our advanced production procedures, state-of the-art testing, quality control facilities and top-quality components. > Great tone in a lightweight package In addition to the great tone the BH 500 has an incredible lightweight package: only 13.66 lbs /6.2 Kg