Mxr bass compressor

Vendo pedale octaver per basso MXR M288 Bass Octave Deluxe come nuovo. E' stato acquistato nell'agosto 2018 ed è stato usato solo in casa o in sala prove. E' completo di scatola originale e attualmente è velcrato per l'utilizzo in pedaliera, tuttavia ho ancora tutti e quattro i piedini in gomma. Disponibile sia per la consegna a mano che per la spedizione al costo di 9 euro con pacco ordinario (a richiesta altri tipi di spedizione). Non sono interessato a scambi o permute.

Preamplificatore a pedale per basso. Usato solo in casa. Vendo per inutilizzo. Peppe 3355229388

Vendo pedale per basso MXR M-182 El Grande Bass Fuzz, un po' vissuto esteticamente ma funzionante senza problemi. Disponibile sia per il ritiro a mano che per la spedizione (9 euro con pacco ordinario, a richiesta altri tipi di spedizione). Non sono interessato a scambi o permute.

MXR® BASS OVERDRIVE - Un circuito overdrive univoco progettato specificatamente per basso - Controlli separate clean e drive per una grande versatilità timbrica - Circuiteria analogica al 100% per un timbro ricco e caldo L'overdrive MXR per Basso è un progetto originale che vi dà il calore di un overdrive a valvole. Insieme con i controlli standar Volume, Tono e Drive, questo pedale è dotato di un controllo Clean per miscelare un segnale clean di preset EQ con il segnale overdrive: il risultato sarà un overdrive basso dolce e corposo

Il pedale Dunlop MXR Bass Preamp unisce un preamp per basso chiaro e cristallino con una uscita Direct Out di qualità Studio nelle dimensioni di un pedale Phase 90. Con l'MXR BASS PREAMP potrete dare una nuova voce ad un vecchio basso passivo, addolcire un qualsiasi amplificatore, o mettere un pò di "peperoncino" ad un particolare brano, inviandolo poi direttamente pre o post all'EQ. - EQ a 3 Bande con selezione del midrange - Uscita Direct Out di qualità Studio - Constant Headroom Technology per timbri puliti e cristallini

swr marcus miller m2 preamp. preamplificatore per basso professionale completamente a valvole compresa d.i. pedale footswitch compreso eccellenti condizioni estetiche e di lavoro come nuovo il marcus miller preamp è uno dei preamplificatori più flessibili mai realizzati il miglior preamplificatore per basso che abbia mai posseduto la miglior d.i. a bordo di un preamplificatore il miglior compressore integrato in un preamp suona estremamente pulito, caldo, trasparente e naturale potenti capacità di modellare il suono funzionalità eq bypass completa (incluso aural enhancer) un canale (due ingressi selezionabili per facili cambi di strumento) preamplificatore per basso valvolare marcus miller preamp mette nelle tue mani un sacco di capacità di modellare il tono. costruito da una partnership tra swr e marcus miller swr marcus miller preamp features: 1.two selectable inputs for easy instrument changes 2. 3-band semi-parametric tube-driven eq with sweepable mids 3. eq bypass capability 4. marcus miller-modified swr aural enhancer circuit with pull defeat 5. all-tube studio-quality direct out 6. mute switch 7. bass intensifier circuitry 8. swr studio-quality tube-driven compressor with pre or post eq "comp position" switch; boost feature with volume control & compression blend 9. side chain effects loop with blend control 10. selectable line out for tube di, post eq or compressor position out 11. 4-button footswitch (bass intensifier, eq bypass, effects loop, boost) included 12. xlr and 1/4" preamp out with ground lift switch, 13. tube di with xlr and 1/4" out with ground lift switch, volume level 00 to 1800, phase switch and 3-position direct (pre)/compressor output/line (post) switch 14. tube complement: 2 x 12ax7 (tube di and preamp) unique features: marcus miller modified aural enhancer complete eq bypass capability (including aural enhancer) bass intensifier circuitry all-tube direct out; swr studio- quality tube-driven compressor; “comp-position” - allows compression pre or post eq; boost feature w/ compressor blend; made in the usa

Multieffetto rack per chitarra / preamp boss gx700 racchiude in un unico rack tutti gli effetti della serie boss molto caldo e versatile prezzo 200 euro trattabili scheda tecnica boss gx700 guitar effects processor/preamp published in sos june 1996 printer-friendly version • noise gate: with user control of threshold setting. • compressor: with variable attack and release characteristics, plus control over sustain and tone. in common with all the other effects blocks, this also has a level parameter. • wah: this classic effect is familiar to guitarists everywhere, and can be recreated quite convincingly with the gx700, either under lfo or pedal control. the resonance of the wah effect can be varied, as can the frequency range over which the effect sweeps. • distortion: i suspect this section is based around the concepts used in the boss analogue pedals. the choices available include vintage od, turbo od, blues, distortion, turbo distortion, metal and fuzz. in addition to an adjustable drive level, the distortion settings also have a basic 2-band bass/treble equaliser. • preamp: this is where cosm modelling comes into play, because here you can select from several amplifier characteristics, including jc120, clean twin, match drive, big lead, ms1959 (i), ms1959 (ii), ms1959 (i+ii), sldn lead and metal 5150. the available controls include the usual bass, middle, treble and presence, as well as the volume/master volume method of setting the amount of amp distortion, and a 'bright' switch. a gain parameter is also included, which affects the distortion amount. • loop: this isn't an effect at all, but rather a means of switching in an external effect or processor. the loop function connects via the rear panel jacks, and has adjustments for both send and return levels, which is a sensible inclusion. • 3-band eq: despite the fact that the overdrive section and the preamplifier both have tone controls, there's also a 3-band equaliser with a fully parametric mid section. • speaker simulator: this again offers several choices: small, middle, jc-120, built-in 1-4, big stack 1-2, ms stack 1-2 and metal stack. there are also three possible virtual mic settings, for close miking and more distant miking, and separate level controls are provided for the mic level and the direct level. • noise suppressor: this comes at the end of the amplifier chain, but before the effects. however, because the effects can be connected in any order, it can be used elsewhere if you have a reason for doing so. personally, i'd be inclined to use it after the modulation effects (for anything that doesn't involve level modulation, such as panning or vibrato), but before any delay or reverb effects. as far as the user parameters go, these are really down to threshold and release time, though you can also choose to key the gate from either the noise reduction block's own input or from the guitar input jack.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Roland TR09 Rhythm Composer TR-09  riedizione Boutique della storica TR-909, presenta lo stesso layout del pannello frontale ed interfaccia utente dell'originale, la TR-09 trae la sua potenza della tecnologia Roland ACB, per un collaudo estremo dei vostri woofer "à la TR-909", in un formato super-conveniente e portatile. Offrendo un controllo preciso su un'ampia gamma di parametri della batteria e la capacità di continuare a suonare anche durante la selezione dei modi, la TR-09 può apparire compatta, ma di certo ha tutta la forza che serve per far muovere le persone. Pensato per le vostre sessioni in studio, con quattro uscite separate via USB audio, il controllo di strumenti esterni tramite un'uscita trigger, e l'USB MIDI. Riproduzione perfetta in formato ultra-compatto dell'iconica drum machine TR-909 Mantiene il sound, il carattere e l'interfaccia utente della TR-909 originale Controllo diretto di molti parametri, inclusi Tune, Level, Decay, ecc. Programmabile tramite i classici modi Step e Tap write Riproduzione continua dei beat anche durante la commutazione tra i modi Write e Play Quattro uscite separate tramite USB audio Uscita Trigger per controllare strumenti esterni dotati di ingresso trigger Costruzione di alta qualità con pannello frontale in metallo Altamente portatile, per creare musica ovunque Alimentazione a batteria (4 x AA) o dal bus USB Interfaccia audio USB con IN/OUT stereo a 24 bit/96 kHz Mini-altoparlante amplificato incorporato, per un divertimento istantaneo Compatibile con la Keyboard Unit K-25m opzionale Gli utenti della TR-909 riconosceranno il classico stile di programmazione TR-REC della TR-09, con una scelta tra i modi Step o Tap write. Possibile persino cambiare il modo mentre il pattern continua a suonare, una cosa impossibile con l'originale. Il sequencer della TR-09 ha 16 step, ed ognuno ha 16 sub-step, per mettere a punto ogni dettaglio della vostra esecuzione. E proprio come la TR-909 originale, il parametro Shuffle/Flam può essere selezionato usando i tasti, ma se vi serve un maggior controllo, basta usare il display e l'encoder rotativo per perfezionare il vostro pattern. La TR-09 è stata progettata per collegarsi facilmente con altri dispositivi. L'uscita principale stereo tramite mini-jack può anche essere riconfigurata per inviare lo strumento selezionato al canale destro, mentre gli altri strumenti escono sul sinistro. Un ingresso mix invia l'audio esterno alle uscite principali, mentre l'uscita trigger permette alla TR-09 di pilotare sintetizzatori analogici vintage come l'SH-101 o il JX-3P, o apparecchiature moderne come l'attuale serie modulare SYSTEM-500. Sincronizzate e controllate altri dispositivi tramite le porte MIDI standard o USB, ed inviate l'audio di singole parti di batteria via USB per continuare a lavorare nella vostra DAW preferita. Tramite la sua porta USB, la TR-09 funziona come un'interfaccia audio di alta qualità a 24-bit/96 kHz, offrendovi così un modo semplice ed affidabile per registrare direttamente nella vostra applicazione DAW. Potete persino inviare singoli strumenti della batteria a canali separati, grazie alle quattro uscite indipendenti della TR-09 via USB. Specifications User Memory: Patterns: 96 (2 banks x 3 groups x 16 patterns) Tracks: 8 (2 banks x 4 tracks) Kit: 1 Steps: 16 steps with 16 sub steps Instruments: Bass Drum Snare Drum Low Tom Mid Tom Hi tom Rim Shot Hand clap Closed/Open Hi Hat Crash Cymbal Ride Cymbal Controllers: VOLUME knob START button STOP/CONT button LAST STEP button SCALE button SHUFFLE/FLAM button CLEAR button INSTRUMENT SELECT button SHIFT button TOTAL ACCENT knob TEMPO dial TRACK 1-4 buttons PATTERN 1-3 buttons COMP button TEMPO button BACK button FWD button AVAILABLE MEAS button CYCLE/GUIDE button MENU button ENTER button Main keys 1-16 (16 step buttons) BASS DRUM: TUNE, LEVEL, ATTACK, DECAY knobs SNARE DRUM: TUNE, LEVEL, TONE, SNAPPY knobs LOW/MID/HI TOM: TUNE, LEVEL, DECAY knobs RIM/CLAP: LEVEL knob HI HAT: LEVEL, CH DECAY, OH DECAY knob CRASH CYMBAL: LEVEL, CRASH TUNE knob RIDE CYMBAL: LEVEL, RIDE TUNE knob Effects: Compressor Indicators: 7 segments, 4 characters (LED) Scale LED Connectors: TRIGGER OUT jack: Mono miniature phone type PHONES jack: Stereo miniature phone type OUTPUT jack: Stereo miniature phone type MIX IN jack: Stereo miniature phone type MIDI (IN, OUT) connectors USB port: Micro-B type (Audio, MIDI) Power Supply: Rechargeable Ni-MH battery (AA, HR6) x 4 Alkaline battery (AA, LR6) x 4 USB bus power Current Draw: 500 mA (USB bus power) Expected battery life: Rechargeable Ni-MH battery: Approx. 6 hours ACCESSORIES Boutique Dock: DK-01 (Ivory) Owner's Manual DK-01 Owner's Manual Leaflet "USING THE UNIT SAFELY" Alkaline battery (AA, LR6) x 4

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Vendo, come da titolo, combo Laney per basso da 165W RMS per inutilizzo. Perfettamente funzionante Inoltre ho aggiunto successivamente quattro ruote per renderlo più trasportabile Specifiche tecniche: Output: 165 Watts RMS Speaker: 15" HH Driver & Horn Input: Active & Passive Gain: Yes Compressor: Yes Enhance: Yes Bass: Yes Para-Mid: Hi Mid & Lo Mid Treble: Yes Volume: Yes Di: Yes Limiter: Yes FX Loop: Yes Switchable Horn: Yes Tuner Out: Yes Dual Position: Yes Carpet Covered: Yes Solo consegna a mano

BSS OMNIDRIVE FDS-366T,Dolby Lake LP4D12,Lab Gruppen PLM 100 NOB CISCO3925E/K9 CISCO3925E ROUTER-------2400Euro MARK LEVINSON 533H USED------5000Euro MANLEY VOXBOX PREAMP/VOICE PROCESSOR----1800Euro DOLBY CP-750 Stereo Digital Cinema Processor--1400Euro Dolby Lake LP4D12 Processor DLP-----1700Euro LAB GRUPPEN PLM20000 DSP AMPLIFIER - USED----5000Euro Lab Gruppen PLM 10000Q SP-----3500Euro Lab Gruppen PLM 14000-----4000Euro Ampeg B15 Heritage Series Bass Combo Amplifier HB-15-----1600Euro BSS OMNIDRIVE COMPACT PLUS FDS-366T-----1200Euro L ACOUSTICS LA48/LAB GRUPPEN FP6400---1000Euro Lab Gruppen FP2600 with only 3 hours of use----700Euro KLARK TEKNIK DN9848 LOUDSPEAKER PROCESSOR----1500Euro DBX 160SL Blue Precision Stereo Compressor/Limiter---1500Euro Eventide H-3000-se Studio Ultra Harmonizer Effects Processor---Euro500 Hhb Cdr-850 Cd Recorder ---400Euro Empirical Labs EL8X-S Distressor Stereo Pair---1200Euro Tc Electronic Finalizer 96k Studio Mastering Processor---700Euro Drawmer 1961 Vacuum Tube Equaliser---Euro1000 Bss Audio Fds-334T Minidrive Loudspeaker---300Euro Bss Audio Fds-366t Omnidrive Compact -----1300Euro BSS FCS-960 Dual Channel/Mode Graphic EQ--700Euro Dolby Lake Contour Dsp 2 X 6 Speaker Processor--700Euro Lab Gruppen Plm20000Q/Bp Plm 20000Q Powered Loudspeaker Management ---4000Euro Lab Gruppen PLM 10000Q/SP Powered Loudspeaker Management System---3500Euro Xta Dp 226 - Dolby Lake Contour Dsp 2 X 6 Dsp With Aes Ebu Digital---600Euro Lab Gruppen PLM 14000-----4000Euro Lab Gruppen Plm14000/Bp 2X22550W 8 Ohm Binding Post Power Amplifier----3800Euro DBX DriveRack 4820 4X8 Loudspeaker Management System---1200Euro DBX DriveRack 4820TI 4X8 Loudspeaker Management System----1900Euro DBX DriveRack 4820TIO - Complete Equalization and Loudspeaker Ma---2500Euro dbx 4820TO DriveRack Loudspeaker ------2000Euro dbx 4820 4800 w/ blank front panel DriveRack---850Euro SE Electronics SE Munro Egg 150 Monitoring System-----950Euro

EURO 25,00 CADAUNO oppure EURO 90,00 per TUTTI I 4 PEDALI. n. 1 pedale chitarra CALINE “HOT MUSHRUMS Compressor CP10” ad euro 25,00 n. 1 pedale chitarra XVIVE “CLASSICAL ROCK V1” ad euro 25,00 n. 1 pedale chitarra XVIVE “LEMON SQUEESER V9” ad euro 25,00 n. 1 pedale basso XVIVE “BASS SQUEEZER B1” ad euro 25,00 Tutti i pedali sono assolutamente nuovi con scatola e disponibili per essere visionati e provati. Se richiesto li vendo anche tutti insieme al prezzo totale di euro 90,00. Io non sono interessato a permutare o scambiare materiale. Sono a disposizione, contattatemi rispondendo direttamente alla e-mail solo se veramente interessati. Grazie