A2 set the controls

Vendo il seguente titolo originale parte della mia collezione personale: Artista: PINK FLOYD Titolo album: THE CONTROLS ARE SET Anno: 1993 Formato: CD Etichetta: LIVE & ALIVE Catalogo: LA. CD 102 Stampa: ITA Genere: PSICHEDELIC ROCK Note: UNOFFICIAL Barcode: 0 Cond. Disco: M Cond. Cover: M Prezzo: € 20,00 RARO. Condizioni pari al nuovo. Ho ancora molti altri cd e lp vinile in vendita, controlla gli altri miei annunci. Se interessati invio lista. ASTENERSI PERDITEMPO. Ritiro a mano o eventuale spedizione.

Warner Music Pink Floyd - Ummagumma - Live Album Specifiche: TitoloUmmagummaArtistaPink FloydData uscita11/10/2012GenereMusicaleSupportoCD MUSICALProduttoreWARNER MUSIC ITALIA SRLTrackListAstronomy Domine Careful With That Axe, Eugene Set the Controls for the Heart of the Sun A Saucerful of Secrets Sysyphus, Part 1 Sysyphus, Part 2 Sysyphus, Part 3 Sysyphus, Part 4 Grantchester Meadows Several Species of Small Furry Animals Gathered Together in a Cave and Grooving With a Pict The Narrow Way, Part 1 The Narrow Way, Part 2 The Narrow Way, Part 3 The Grand Vizier's Garden Party, Part 1: Entrance The Grand Vizier's Garden Party, Part 2: Entertainment The Grand Vizier's Garden Party, Part 3: Exit

Pink Floyd UMMAGUMMA Doppio LP Vinile 33 Giri Originale Made In Germany (Harvest 1C 172-04 222/23 Stereo) [Matrix / A: 04 222 A-1 Matrix / B: 04 222 B-1 Matrix / C: 04 223 A-1 Matrix / D: 04 223 B-1] COVER (GiGi): Excellent LPs: Seite 1: Excellent Seite 2: Excellent Seite 3: Excellent Seite 4: Excellent Tracks: [LIVE ALBUM] Seite 1 1. Astronomy Domine - 08:28 (Syd Barrett) (voce di Roger Waters, David Gilmour, Richard Wright) 2. Careful with That Axe, Eugene - 08:47 (Waters, Wright, Nick Mason, Gilmour) (voce di Waters e Gilmour) Seite 2 1. Set the Controls for the Heart of the Sun - 05:27 (Waters) (voce di Waters) 2. A Saucerful of Secrets - 12:49 (Waters, Wright, Nick Mason, Gilmour) a. Something Else - 00:00 b. Syncopated Pandemonium - 03:57 c. Storm Signal - 07:16 d. Celestial Voices - 10:14 (Voce di Gilmour) [STUDIO ALBUM] Seite 3 1. Sysyphus - 13:17 (Wright) Part I - Strumentale Part II - Strumentale Part III - Strumentale Part IV - Strumentale 2. Grantchester Meadows - 07:28 (Waters) (voce di Waters) 3. Several Species of Small Furry Animals Gathered Together in a Cave and Grooving with a Pict - 04:57 (Waters) Seite 4 1. The Narrow Way 12:14 (Gilmour) Part I - Strumentale Part II - Strumentale Part III - 2. The Grand Vizier's Garden Party - 08:45 (Mason) Part I (entrance) - Strumentale Part II (entertainment) - Strumentale Part III (exit) - Strumentale Formazione David Gilmour - chitarra, voce, percussioni, tastiere, effetti Roger Waters - basso, voce, chitarra acustica, effetti su nastro, effetti vocali Richard Wright - tastiere e voce, mellotron, moog, percussioni, effetti, pianoforte preparato Nick Mason - batteria, percussioni varie, effetti su nastro Engineer Peter Mew Produced by Norman Smith

Megadeth - so far, so good... so what! prezzo EUR.18,00 non trattabili disco 33 giri vinile titolo [so far, so good... so what!] artista/i [megadeth] traccie [a1 into the lungs of hell a2 set the world afire a3 anarchy in the u.k. a4 mary jane b1 502 b2 in my darkest hour b3 liar b4 hook in mouth] Airasca (TO)

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

FUZZ-TONE FZ-M PEDALE FUZZ A Direct Descendant of the Very First Fuzz Pedal Maestro created the worldb'/xe2/x80/x99's first fuzz pedal b'/xe2/x80/x93' the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965b'/xe2/x80/x99's (I Canb'/xe2/x80/x99't Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.

Titolo [When Dream And Day Unite] Artista/i [Dream Theater] Traccie [A1 A Fortune In Lies A2 Status Seeker A3 The Ytse Jam A4 The Killing Hand B1 Light Fuse And Get Away B2 Afterlife B3 The Ones Who Help To Set The Sun B4 Only A Matter Of Time] (cod. I_302771)

Vendo come da titolo Seymour Duncan STC -3A circuito a 3 bande attivo per basso elettrico. Di seguito le specifiche: Bass Guitar Tone Controls for Active Pickups Bass/Midrange/Treble, Master Volume and Blend Controls Push-Pull Slap Switch for Slap-style Playing Prewired Wiring Harness, Stereo Jack Black Anodized Knurled Dome-style Knobs The Seymour Duncan STC-3A is a three-band set of on board Tone Circuits that add tremendous tonal versatility to your electric bass guitar. This system is designed to work with active bass pickups. The STC-3A has three bands of active EQ, master volume and blend, plus the proprietary Slap Switch. The lows are deep, clear, and tight. The mids range from ultra-smooth to punchy and all points in between. The treble control can produce a very wide, very usable response that is brilliant, yet smooth without any brittleness. Pulling up on the volume knob engages the proprietary Slap Switch, a special EQ contour made just for slap-style playing. Prezzo leggermente trattabile, no perditempo. Consegna a mano a Roma zona Centocelle. Spedisco a carico del destinatario

Equalizzatore originale americano, 110 volt Frequency Response: 20Hz to 20,000Hz +/- 0.5dB Hum and Noise: 90dB (79uV) below 2.5V flat response. 85dB (140uV) below 2.5V worst case. Harmonic and Intermodulation Distortion: less than 0.02% at 2.5V output 20Hz to 20,000Hz Low frequency Compensation: Variable from 0 to +17dB at 20Hz Input Sensitivity: 2.5V into 27k ohms for rated output with controls set for flat response High Frequency Compensation: Variable +/-10dB at 20,000Hz Output Level and Impedance: 2.5V into 10k ohms or more with the output level at zero and all other controls set for flat response. Programmable Filters: 14 sections (7 per channel) each of which can be programmed for standard 1/3 octave center frequencies from 20Hz to 1000Hz. Filter bandwidth is programmable for narrow (approx. 1/3 octave) or wide (approx. 1 octave). Amplitude is continuously adjustable +/- 12dB for narrow and +/-15 dB for wide. A detented control is used to position for flat response. Programming is achieved by means of plug-in capacitors provided with the MQ107. Size: 3-1/2" high, 5-3/4" wide and 14" long Finish: Chrome and black Weight 7 lbs. 9 oz.

Vendo Testata SWR ST-220, usata poco, ottime condizioni estetiche e funzionali. La testata è stata acquistata nuova da me, sempre usata con estrema cura e conservata in luogo sanissimo. Cambio a milncuore e solo per passaggio a altro set. Disponibile per qualsiasi prova. Consegna a mano o spedizione (a carico dell'acquirente). Massima serietà. Se interessati possibilità di abbinare cassa HARTKE 4.5XL 4x10 anch'essa in vendita separatamente. Invio foto a interessti. NON MI INTERESSANO SCAMBI. Info tecniche dal sito SWR: "The Studio 220 Bass Amplifier was designed from the ground up for specifically amplifying all bass instruments, Its features, sound, packaging and performance specifications are the result of numerous years of input from musicians, sound engineers and studio engineers. It is the pgraded version of out first product, the PB-200. A great deal of time was spent to insure that the needs of the professional musician both on the stage and in the studio were met and that all elements of their music will be accura tely amplified. Housed in an all aluminum chassis for lightweight and lasting beauty is an extremely low noise tube preamp section and a solid state power amp utilizing all discreet components, The power amp delivers a minimum of 220 Watts RMS into 4 ohms and 140 Watts into 8 ohms. Standard features include Hi and Low Gain input jacks, Gain and Master Volume controls, 4 band/3 octave Variable Graphic Equalizer, two Effects Loops, Balanced Out with pad and ground lift, and an adjustable electronic Crossover for Bi-Amp capabilities. The Studio 220 is rack mountable taking up two rack spaces (3 1/2") by 8 3/4 " deep (measured from the front panel back). The Studio 220 weighs 13.5 pounds with a 17 pound shipping weight. It is easily carried and the front panel is protected by the two handles secured to the front panel. All of us at SWR hope you enjoy your amplifier and find it all you have ever wanted in an amplifier of this type."

Nuovo, solo velcrato, completo di tutto, scatolo, istruzioni e alimentatore 12v With the Legend Amps series, AMT has set itself the task of squeezing classic amp sounds into a pedal without digital modelling. They are therefore purely analogue circuits, which are intended to sound like their tube-packed predecessors. The F-1 pedal delivers the sound of the Fender Twin Reverb, whose specialty is glittering clean sounds above all else, but can also create interesting sounds with a little distortion. In addition, the F-1 is highly suitable as a gain boost - and a flexible one at that thanks to its sound control - or simply as a clean sound control. Thanks to the cabinet simulation you can also go directly into a mixer. This delivers super fast results in the studio, but you are also very well equipped for live situations in which a loud amp simply does not fit. Legend Amp Series Analogue emulation of the Californian Twin Amps True bypass Controls for level, master volume, gain, low, mid and high 2 Outputs Amp Out and Cabinet Simulation Out Channel send and return Effects send and return Power supply for 2 additional 1

AC/DC - BOX SET 3 x LP / 33giri Etichetta: Atlantic 60149 Formato: 3 × Vinyl, LP Box Set, Compilation Paese: France Uscita:1980 Genere:Rock Stile:Blues Rock, Hard Rock Elenco tracce High Voltage A1 It's A Long Way To The Top (If You Want To Rock And Roll) 5:10 A2 Rock'N Roll Singer 5:00 A3 The Jack 5:50 A4 Live Wire 5:45 B1 T.N.T. 3:30 B2 Can I Sit Next To You Girl 4:06 B3 Little Lover 5:26 B4 She's Got Balls 4:46 B5 High Voltage 4:18 Dirty Deeds Done Dirt Cheap C1 Dirty Deeds Done Dirt Cheap 3:46 C2 Love At First Feel 3:05 C3 Big Balls 2:39 C4 Rocker 2:46 C5 Problem Child 5:43 D1 There's Gonna Be Some Rockin' 3:14 D2 Ain't No Fun Waiting Round To Be A Millionaire 6:51 D3 Ride On 5:47 D4 Squealer 5:12 Powerage E1 Gimme A Bullet 3:00 E2 Down Payment Blues 5:50 E3 Gone Shootin' 4:19 E4 Riff Raff 5:14 F1 Sin City 4:40 F2 Up To My Neck In You 4:58 F3 What's Next To The Moon 3:15 F4 Cold Hearted Man 3:15 F5 Kicked In The Teeth 3:45 " SPEDIZIONE GRATUITA " Per chiarimenti & Info: 3342724702 Piero.

GEORGE HARRISON - Cloud Nine - LP / 33 giri Etichetta:Dark Horse Records Formato:Vinyl, LP, Album Paese:Italy Uscita:1987 Genere:Rock Elenco tracce A1 Cloud 9 3:14 A2 That's What It Takes 3:58 A3 Fish On The Sand 3:20 A4 Just For Today 4:04 A5 This Is Love 3:45 A6 When We Was Fab 3:58 B1 Devil's Radio 3:52 B2 Someplace Else 3:51 B3 Wreck Of The Hesperus 3:30 B4 Breath Away From Heaven 3:35 B5 Got My Mind Set On You 3:51 " SPEDIZIONE GRATUITA " Per chiarimenti & Info: 3342724702 Piero

Titolo [Satellite] Artista/i [P.O.D.] Traccie [A1 Set It Off A2 Alive A3 Boom A4 Youth Of The Nation A5 Celestial A6 Satellite A7 Ridiculous A8 The Messenjah B1 Guitarras de Amor B2 Anything Right B3 Ghetto B4 Masterpiece Conspiracy B5 Without Jah, N (cod. I_831366)