Effect send level control

Multieffetto rack per chitarra / preamp boss gx700 racchiude in un unico rack tutti gli effetti della serie boss molto caldo e versatile prezzo 200 euro trattabili scheda tecnica boss gx700 guitar effects processor/preamp published in sos june 1996 printer-friendly version • noise gate: with user control of threshold setting. • compressor: with variable attack and release characteristics, plus control over sustain and tone. in common with all the other effects blocks, this also has a level parameter. • wah: this classic effect is familiar to guitarists everywhere, and can be recreated quite convincingly with the gx700, either under lfo or pedal control. the resonance of the wah effect can be varied, as can the frequency range over which the effect sweeps. • distortion: i suspect this section is based around the concepts used in the boss analogue pedals. the choices available include vintage od, turbo od, blues, distortion, turbo distortion, metal and fuzz. in addition to an adjustable drive level, the distortion settings also have a basic 2-band bass/treble equaliser. • preamp: this is where cosm modelling comes into play, because here you can select from several amplifier characteristics, including jc120, clean twin, match drive, big lead, ms1959 (i), ms1959 (ii), ms1959 (i+ii), sldn lead and metal 5150. the available controls include the usual bass, middle, treble and presence, as well as the volume/master volume method of setting the amount of amp distortion, and a 'bright' switch. a gain parameter is also included, which affects the distortion amount. • loop: this isn't an effect at all, but rather a means of switching in an external effect or processor. the loop function connects via the rear panel jacks, and has adjustments for both send and return levels, which is a sensible inclusion. • 3-band eq: despite the fact that the overdrive section and the preamplifier both have tone controls, there's also a 3-band equaliser with a fully parametric mid section. • speaker simulator: this again offers several choices: small, middle, jc-120, built-in 1-4, big stack 1-2, ms stack 1-2 and metal stack. there are also three possible virtual mic settings, for close miking and more distant miking, and separate level controls are provided for the mic level and the direct level. • noise suppressor: this comes at the end of the amplifier chain, but before the effects. however, because the effects can be connected in any order, it can be used elsewhere if you have a reason for doing so. personally, i'd be inclined to use it after the modulation effects (for anything that doesn't involve level modulation, such as panning or vibrato), but before any delay or reverb effects. as far as the user parameters go, these are really down to threshold and release time, though you can also choose to key the gate from either the noise reduction block's own input or from the guitar input jack.

Vendo Mixer 8 canali BOSS BX8 8 linee in entrata, uscita stereo, slider master volume separati numerosi effetti con controllo d'intensità, ingresso jack per line CARATTERISTICHE: -Overload Indicators: This lighrs up when the input signal level of each channel is too high -Gain Knobs: The Gain Knobs of each channel adjusts the mout gain for mixing -Treble Knobs -Bass Knobs -Effect-Send Knobs: These knobs control the level of the signals to be sent to the Effect -Headphone Level Knob: -Level Meters: These indicate the level of the output signals. -Master Faders (L, R): These sliders control the overall volume of the mixed signals separately for left and right. -Pilot Lamp: When the mixer is turned on. this lamp lights up -Power Switch: -Output level Selector Switch: This switch selects output level ot the signal sent from the Output Jacks. At the "+4" position. the rated output level (the output level when the Level -Effect1 Return Knobs: This knob controls the Mixing level of the signal returned -Effect2 Return Knobs: -Send Jack: -Headphone Jack: -Input Jacks: -Effect 1 Send Jack: -Effect 2 Send Jack: -Effect 1 Return Jack: -Output Pin Jacks: -Output Jacks (L&R): Alimentatore su richiesta (venduto separatamente)

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Vendo amplificatore per basso Mark Bass Mini CMD 151P "Custom" Dettagli tecnici sul sito Mark Bass - CUSTOMIZZAZIONE - L'amplificatore e' stato customizzato con queste modifiche: - Tweeter originale (piezo) sostituito con tweeter a ferrofluido Monacor HT-30 - Amplificatori operazionali del preampli (originali: TL072, 0.32 EUR/chip) sostituiti con OPA1642 (SoundPlus Series, 1.91 EUR/chip) - Condensatori elettrolitici del preampli (segnale e alimentazione) sostituiti con componenti a basso ESR / 105 gradi - Jack input, send e return, uscita cassa sostituiti con jack professionali Neutrik - Ventolina raffreddamento sostituita con una a bassa rumorosita' Rispetto all'ampli non customizzato, il suono e' molto piu' definito e dinamico e non presenta piu' quegli alti taglienti enfatizzati dal tweeter piezo originale. Il rumore di fondo (hiss) e' diventato praticamente inesistente. - CONDIZIONI - L'amplificatore e' stato COMPLETAMENTE REVISIONATO (spolverato, pulito, disossidato e testato) a gennaio 2020 Woofer in condizioni perfette (vedi foto) L'unico difetto e' la moquette originale che si e' parzialmente staccata su un lato (vedi foto), dovuta alle centinaia di concerti che ha fatto (visto che suona bene!) Qualsiasi prova a casa mia, se volete portatevi il vostro basso per provarlo per bene Fornisco insieme all'ampli il manuale, il cavo corrente e il tweeter piezo + resistenza originali Non faccio spedizione visto l'ingombro / peso, solo ritiro a mano "visto e piaciuto" INPUTS - INPUT: impedance 500 kOhm, max. voltage 15 Vpp BALANCED INPUT (XLR): impedance 22 kOhm, max. voltage 25 Vpp EFFECT RETURN: impedance 22 kOhm, max. voltage 25 Vpp FREQUENCY RESPONSE: 40 Hz to 18 kHz CONTROLS - GAIN: -80 dB to +23 dB range MASTER VOLUME GROUND LIFT (switch on rear panel) EQUALIZATION - LOW: center frequency: 40 Hz; level: ±16 dB LOW MID: center frequency: 360 Hz, level: ±16 dB HIGH MID: center frequency: 800 Hz, level: ±16 dB HIGH: center frequency: 10 kHz, level: ±16 dB VPF (Variable Pre-shape Filter): center frequency 380 Hz (cut) VLE (Vintage Loudspeaker Emulator): frequency range 250 Hz - 20 kHz (cut) OUTPUT - AMP OUTPUT POWER: 500W RMS su 4 ohms / 300W RMS su 8 ohms LINE OUT: balanced XLR, max. voltage 10 Vpp EFFECT SEND: unbalanced, max. voltage 20 Vpp (pre-EQ) TUNER OUT: unbalanced, max. voltage 25 Vpp SPEAKER OUT: speakon + 1/4" SPEAKER - WOOFER/MID: 1 x 15" TWEETER: piezo - VEDI DESCRIZIONE SOTTOSTANTE BASS REFLEX: rear IMPEDANCE: 8 ohms SPEAKER POWER HANDLING: 400W RMS (AES Standard) CROSSOVER FREQUENCY: 3.5 kHz SENSITIVITY: 100 dB SPL COMBO - WEIGHT: 18.5 Kg HEIGHT: 46.4 cm WIDTH: 46.4 cm DEPTH: 48 cm

Vendo: - GEM WK2 Hard Disk Ottima per Karaoke ! ! ! Con una semplice interfaccia midi riproduce i suoi suoni con qualità superiore....da ascoltare ! ! ! E' l'unica tastiera della GEM provvista di cavo con presa scart collegabile direttamente al monitor per visualizzare i testi delle canzoni ed è indicatissima per fare Karaoke ! ! ! Tastiera 61 tasti con dinamica Polifonia 32 note max Suoni 444 suoni PCM + 17 drum kits Effetti 22 riverberi + 22 effetti Modo operativo 3 sezioni real-time (lower, upper1, upper2); single, split (programmabile), layer Controlli Volume, transpose, tuning, metronome, touch sensitivity, pitch bend programmabile (+/- 12) 2 tastierini numerici indipendenti (style/song-sound) Pads 4 pads programmabili Display LCD multifunzione colorato e retroilluminato Harmony 8 tipi Sequencer 7 song style, 8 tracce: lettore 16 tracce hard disk 1.44 gigabyte Disk Drive Load, save, delete, format (720 Kb - 1.44 Mb), utility, funzioni 'direct-from-floppy', 'play-all-songs', 'load-while-playing' Possibilità di aggiungere interfaccia per Vocal Processor/Digital Sampling per editare i propri suoni Completa del suo leggio, cavo interfaccia per l'uscita tv, manuale, migliaia di basi midi precaricate, supporto, custodia per il trasporto. Ha avuto da poco una revisione completa da un tecnico specializzato nelle tastiere GEM. - Custodia Tastiera GEM WK2 morbida con tasche - Mixer Audio M802-fx Voice System completo di Alimentatore e suo Supporto. 8 canali Mic/line Presa cuffia Return L/R Out EFX AUX Main L/R Tape in/out The smallest professional 8ch mixer from Voice System, in an extra light alluminium package. 4 balanced low noise mic/line channels, with gain control. 2 balanced stereo line channels. Recording input and output (TAPE IN – OUT). 1 internal effect send. 2 tone controls for each channel. LED bars with clip indications. Splitted STEREO outputs. Phones Output with high dynamic range with level control. - Cassa Spia Voice System Contact da 250W. - Asta Cromata porta Microfono regolabile. - Microfono Shure SM58: è un microfono dinamico per voce estremamente versatile, con caratteristica polare cardioide, che è diventato uno standard del settore. È ottimizzato per offrire una riproduzione calda e nitida della voce. L’SM58 è, di conseguenza, la prima scelta per le esibizioni canore in tutto il mondo. - Cavi per Tastiera e Microfono IL TUTTO PERFETTAMENTE FUNZIONANTE ! ! ! Non si effettua spedizione, il ritiro avverrà sul posto.

Vendo come nuova master keyboard Roland A-33, controller midi a 76 tasti dinamici semi-pesati. Tastiera muta, programmabile, ideale per pilotare vst, expander, synth, adatta a studi di registrazione o home recording. In condizioni perfette, tenuta sempre in casa e sfruttata poco rispetto al tempo che ha, non ha il minimo difetto estetico o di meccanica. No USB. Ha 1 midi-IN e 2 midi-OUT. Prezzo non trattabile. Solo se realmente interessati, no perditempo. Consegna a mano, ma valuto anche spedizione. A-33 MIDI KEYBOARD CONTROLLER KEYBOARD: 76 Keys semi-weighted MIDI CONTROL: MIDI Channels (1 to 16) CONTROLS: Octave Shift (Up 2 Octaves, Down 2 Octaves, Standard), Bender / Modulation / Aftertouch Lever, Data Entry Slider Controller numbers 00 / 32 (GS Variation Selection) Reverb Send Level Chorus Send level volume Panpot Others (Controller Numbers 00 to 127) Velocity Curve (H, M, L) BPM (F8 Clock Rate) REAR PANEL: Power Switch, Sustain Switch jack, Expression Jack, AC Adaptor Jack, MIDI IN/OUT 1/OUT 2/THRU POWER SUPPLY: DC 9V: AC Adaptor (option); Dry Batteries (R6 [AA] type) CURRENT DRAW: 50 mA DIMENSIONS: 816 (W) x 175 (D) x 80 (H) mm 47-1/16 (W) x 10-11/16 (D) x 4- 3/16 (H) inches WEIGHT: 7.7 kg

Condizioni perfette pari al nuovo. Completo in ogni sua parte Custodia originale e cavo alimentazione inclusi. Vendo per inutilizzo Caratteristiche tecniche: The MDR10 is a 10-channel mixer with ten low noise microphone preamps, four output buses and a built-in 24-bit DSP effects processor. 10-channel stereo mixer with 2 + 2 bussing Preamps on each channel Low noise op-amps Low impedance circuit design 24-bit DSP effects 60mm faders on each channel and mains 3-band EQ with sweepable mids and a low cut filter on channels 1 thru 6 10 XLR inputs with mic preamps Mono out with level control Dual 12-segment LEDs 2 Aux sends with 2 stereo effects returns Headphone out with level control Phantom power 2-track in and out connectors with send to mix switch Dimensioni: Width: 413mm Depth: 413mm Height: 95mm Weight: 3,4kg

24 canali tutti con: xlr-input jack 6.3 input insert gain control 3 bands equalizer effect send monitor send balance/pan fader 60mm peak led +6 phono input (cinch left&right) +phantom power for each track +fader left/right output +monitor output +sum output +2 stereo effects returns +2 large led meter +headphone output and fader for the headphone output 83,6cm x 10,5cm x 42,0 cm. 15kg 27watts per causa inutilizzo vendo

FUZZ-TONE FZ-M PEDALE FUZZ A Direct Descendant of the Very First Fuzz Pedal Maestro created the worldb'/xe2/x80/x99's first fuzz pedal b'/xe2/x80/x93' the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965b'/xe2/x80/x99's (I Canb'/xe2/x80/x99't Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.

Come da oggetto: AMPLIFICATORE per Basso MARSHALL BASS STATE B150: Potenza: 150Watt RMS Amplificazione: Solid State e Valvolare [ECC83] Altoparlante: 15'' Controlli: Gain, Bass, Treble, Blend, Volume, Compression Switch: Deep & Bright, Pre Valvolare/Pre Solid State, SLS [Switchable Limiter System], Earth Lift. Ingressi: Jack Attiva/Passiva, Effect Send/Return Uscite: Line OUT, D.J. Equalizzatore: 7 Bande di Frequenza Made in England Consegna: A Mano [Gratuita] con possibilità di prova oppure con Corriere [Spese non Incluse], con invio di video dimostrativo. Grazie alla sua dotazione può spaziare tra sonorità che vanno dal Funk al Rock/Hard Rock più deciso, POP ed il Blues. Ha un suono veramente bello, il settaggio individuale delle singole frequenze dell'equalizzatore, spazia da tonalità calde a taglienti, da aperte a ovattate. Per qualsiasi Info, foto non esitate a contattarmi. Recensione su ULTIMATE GUITAR.COM: Sound: 10 Overall Impression: 10 Reliability & Durability: 10 Features: 8 Users' score: 8.1 The input blend control allows you to select totally solid state performance, for sharper more percussive bass styles or introduces a single ECC83 pre-amp valve to add extra warmth and a softer feel to the bass.

Vendo ampli combo Fender Acoustasonic 15 per inutilizzo, mai usato dal vivo ed in perfette condizioni. Consegna a mano. Per maggiori informazioni non esitate a contattarmi. Fender Acoustasonic è un amplificatore combo per chitarre acustiche, folk, elettriche e anche per voce con potenza di 15 watt. Trasportabile, semplice e piuttosto flessibile per vari generi musicali e per performance live con pubblico ridotto, si può utilizzare anche con voce e strumento contemporaneamente. Series: Acoustasonicâ,,¢ Color: N/A Amplifier Type: Solid State Voltage: 120V Wattage: 15 Watts Inputs: Two - (One 1/4" and One XLR) Headphone Jack: 1/4" Channels: Two - (Instrument and Microphone) Controls: Instrument Channel: Volume, Bass, Middle, Treble, Chorus. Microphone Channel: Volume, Bass, Middle, Treble. Grill Cover: Brown Textured Vinyl Covering with Black Grille Cloth Amplifier Depth: 18.1 cm Amplifier Width: 28.4 cm Amplifier Height: 29.2 cm Amplifier Weight: 4.76 kg Effects: Chorus (Instrument Channel) Speaker Description: 6 inch Special Design full-range speaker with whizzer cone for enhanced high-frequency response. Speaker: One - 6" Fender® Special Design Unique Features: Features Include: 15 Watts of output power, 6 inch Special Design full-range speaker with whizzer cone for enhanced high-frequency response, two channels (XLR microphone and 1/4 " instrument) with individual volume controls, Chorus effect (for instrument channel) with level control and on/off switch, Bass, Middle, and Treble tone controls, 1/4 " headphone output, Classic Fender cosmetic treatment with brown textured vinyl covering and chrome hardware for durability and great looks, 5-year transferable warranty (US and Canada, other territories may vary). Knobs: Vintage-Style Black Radio.

Vendesi MIXER PROFESSIONALE PER DJ usato in buone condizioni Caratteristiche Channels DJM-600 No. of Channels 4 Channel EQ 3 band EQ Range -26 ~ +12 dB Level MeterType Individual Level Meter Size 15 Segment Input DJM-600 CD/LINE Input 5 PHONO Input 3 MIC Input (XLR) 1 MIC Input (1/4 inch Phone) 1 RETURN (1/4 inch Phone) 1 Output DJM-600 Master Output (XLR) 1 Master Output (RCA) 1 Booth Output (RCA) 1 Rec Out (RCA) 1 Send (1/4 inch Phone) 1 Master DJM-600 Master Balance Si Stereo/Mono Switch Si Level Meter Size 15 Segment Master Out Attenuator Si Cross Fader DJM-600 Cross Fader Type Carbon Rail Fader Curve 3 Type Switch Assignable Yes Field Replaceable Si Monitoring DJM-600 Booth Monitor Yes Cue Type 3 Effect/Sampler DJM-600 Effect Single Effect Beat Effect 8 Auto BPM Counter Si Direct Beat Select Si Effect Level & Depth Volume Si Beat Sampler Si Mic DJM-600 Mic Connection XLR + 1/4" Mic EQ 3 band Mic EQ Range -12 ~ +12 dB Talkover Button General DJM-600 Color Black Dimensions (W x H x D) 320 x 107 x 372 mm Weight 6,6 kg Power Consumption 36 Watt SN Ratio: Line 87 dB SN Ratio: Phono 77 dB SN Ratio: Mic 69 dB Harmonic Distortion Below 0.02% Crosstalk Over 70 dB

Vendesi (per motivi di disuso e mancanza di tempo) MIXER PROFESSIONALE PER DJ in buono stato! Caratteristiche: Channels DJM-600 No. of Channels 4 Channel EQ 3 band EQ Range -26 ~ +12 dB Level MeterType Individual Level Meter Size 15 Segment Input DJM-600 CD/LINE Input 5 PHONO Input 3 MIC Input (XLR) 1 MIC Input (1/4 inch Phone) 1 RETURN (1/4 inch Phone) 1 Output DJM-600 Master Output (XLR) 1 Master Output (RCA) 1 Booth Output (RCA) 1 Rec Out (RCA) 1 Send (1/4 inch Phone) 1 Master DJM-600 Master Balance Si Stereo/Mono Switch Si Level Meter Size 15 Segment Master Out Attenuator Si Cross Fader DJM-600 Cross Fader Type Carbon Rail Fader Curve 3 Type Switch Assignable Yes Field Replaceable Si Monitoring DJM-600 Booth Monitor Yes Cue Type 3 Effect/Sampler DJM-600 Effect Single Effect Beat Effect 8 Auto BPM Counter Si Direct Beat Select Si Effect Level & Depth Volume Si Beat Sampler Si Mic DJM-600 Mic Connection XLR + 1/4" Mic EQ 3 band Mic EQ Range -12 ~ +12 dB Talkover Button General DJM-600 Color Black Dimensions (W x H x D) 320 x 107 x 372 mm Weight 6,6 kg Power Consumption 36 Watt SN Ratio: Line 87 dB SN Ratio: Phono 77 dB SN Ratio: Mic 69 dB Harmonic Distortion Below 0.02% Crosstalk Over 70 dB

Vendo (non scambio) pedaliera Zoom G9.2tt, oggetto pari al nuovo, utilizzata inizialmente in casa e poi abbandonata da una parte, anche con la scatola originale - Roma sud SPECIFICATIONS Effect Types: 120 Effect Modules: 10 Maximum Simultaneous Effects: 10 Patch Memory: User 100 + Preset 100 Sampling Frequency: 96kHz A/D Conversion: 24-bit, 64 times over-sampling D/A Conversion: 24-bit, 128 times over-sampling Signal Processing: 32-bit Frequency response: 20Hz-40kHz+1.0dB, -3.0dB(10kôload) Guitar Input: 1/4" phone jack (Rated input level: -10dBm, Input impedance: 1Mô) AUX Input: 1/8" stereo phone jack (Rated input level: -10dBm, Input impedance: 10kô) External Return: 1/4" phone jack (Rated input level: -10dBm / +4dBm) Line Output (L/MONO, R): 2 x 1/4" phone jack(Rated output level: -10dBm / +4dBm, Maximum output level: +19dBm, Output load impedance: 10kô or more, Output Impedance: 1kô or less) Headphone Output: 1/4" stereo phone jack (Rated output: 60mW / 32ô load, 20mW / 300ô load, Output impedance: 47kô) External Send: 1/4" phone jack (Rated output level: -10dBm / +4dBm) Tube Circuitry: 2 x 12AX7 MIDI: IN/OUT USB Interface: 16-bit, 32kHz/44.1kHz/48kHz Display: 2-digit, 7-segment LED, backlit LCD Power Requirements: 15V AC, 1.5A Supplied Accessory: AC adaptor(AD-0012) Dimensions (mm): 595(W)x 235(D)x 85(H) Weight: 5.5kg