Gain control

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DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Come da titolo vendo testata JCM 900 4100 DUAL REVERB 100W valvolare e cassa Marshall 1922 in perfette condizioni.  Mai usate in concerto,sempre usata a casa a volumi condominiali.Prezzo poco trattabile.NO PERDITEMPO E PROPOSTE ASSURDE.  Di seguito le principali caratteristiche.  JCM 900 4100 DUAL REVERB 100W  Testata 100W;   sostituite valvole  2 canali: - A per suoni puliti e crunch, settaggi a basso Gain;   - B per utilizzo di settaggi ad alto livello di Gain;  Ogni canale ha il proprio Master volume & Reverb;  Presence, Bass, Middle, Treble, Loop Effetti per pedalini o Rack; Pre-amp Gain control A;   Preamp Lead gain control B.  cassa Marshall 1922 2x12:  2 Altoparlanti G12T-75W S88 da 12 Celestion.  - 150 Watt.  - Commutabile stereo (16 Ohms) / mono (8 Ohms) P.S.per pagamento con paypal vengono addebitati i costi di transazione.

SOLTON KETRON SD-1 PLUS in perfetto stato + pedaliera FS6 switch e custodia morbida. KEYBOARD 76 half-weighted keys.After touch. 6 new Velocity Curves. POLIPHONY 64 notes.32 multitimbral. SOUND GENERATION 310 New Presets (programmable), 350 GM Voices. 128 User Voices. 80 One Touch setting. 16 digital Drawbars.Up to 1000 Drum Percussion Sounds. RAM 16 MB RAM. Single &Block Sound loading. Files.Wav,Msp and Ins supported. ARRANGER 131 New Flash Styles (rewritable).168 ROM Styles. Style setting. 4 Arranger, 3 Intros/Endings, 3Fills Ins, Break, Fill To End, Jump. Interactive accompaniment. Tap tempo. Accelerando & Ritardando.Tempo Slow/Fast. 1 Touch to Style. Chord solo. BASS Manual Bass, Bass to Lowest, Basso to Root. Bassist. PIANIST Auto/Standard mode. DRUM SETS 24 New Internal Drum Sets.24 User Drum Sets. 50 Live Drums. Manual Drums.Drum Mixer.10 Drum Sections. PROGRAMS 128 Programs.4 voices.Modes:Duet,Trio,Steel,Morphing. Single & Global Program Disk loading. 2ND VOICE 2nd Voice programmable for each Preset and User Voice. 2nd Voice to Disk. MIDIFILE PLAYER SMF Song playback.Real Time song recording.Songs with lyrics,karaoke and files Txt. Juke box.Intelligent Transposer. Demo&Hit folder. Drum&Bass. Lead Off. XD Series Remap. DRUM REMIX Real time interactive MIDI ?le and Style playing. Song and Style select. OCTAVE Up/Down +/-1 Octave. HARMONY Full,Jazz,Double Up, Double Down, 5th, Bluegrass,Trill,Folk1, Folk 2, Repeat & Speed control. PORTAMENTO Rate control +/-64.Mono Legato function. TRANSPOSER +/-24 half tones AFTERTOUCH Assignable to Cut off,Volume,Bend,Slide,LFO,Attack,Treshold and Sensitivity control. MOD.WHEEL LFO to Pitch,to DCF,to DCA,Wha Wha,Swell,Rate.Rotor speed control. PITCH WHEEL Tune +/-99 Cents.Vibrato On/Off.Bend value 0/24.Bend to LFO,DCF,DCA. ARABIC SCALE Tune +/-99 Cents per note.13 Arabic set ups footswitch assignable. ACCORDION MODE International,Belgique.Left/Right velocity control.Bass octave.Bass Sustain.Bass to Chord recognition, Lower octave. Left drum to Bass &Chord. Bass Off on Stop. EFFECTS 3 digital multi effects DSP 's.60 differents effects,Reverberation,Chorus,Flanger,Delay,Wha Wha,Distorsion,Overdrive,Rotor,Equalizer +/-12 Db (Low,Middle,High).16 User Effects. SAMPLER 16 Mbyte sampling 16 Bit -44.1 KHz. Multisampler editor. Wav Sync to Style. VOCALIZER Vocalizer unit.Harmonizer.Vocoder,Melody types.MIDI Vocalist track.Left&Right assignment. Filter edit.Vocalizer modes. MICRO 2 Micro input:XRL Balanced,Mono Jack.2 Micro Out to external mixer.Level Pan Pot,Echo,Reverb,Pitch Shift+/- 12,Dry. MIDI In1,In2,Out,Thru.32 MIDI channels.General MIDI Standard. SEQUENCER 16 Tracks,150.000 notes. FLOPPY DISK 3.5 2DD/HD. HARD DISK Type ATA IDE 2.5. 6Gbyte.Up to 99 folders.Master folder. Bonus Library: Stereo Grand Piano.Orchestral sounds. 200 Midi files. 200 Song Single Registrations. 35 Patterns. Internal Style backup folder. X & XD Series Style Conversion. DISPLAY 240 X 128 Pixel baklit graphic TCF OUTPUTS Out 1Left/Mono.Out 2Right.Out 3.Out 4.Sustain Pedal.Footswitch (6 or 13 switches).Micro1 Out.Micro2 Out. GM/Keyboard Out assignment to 4 audio Outputs INPUTS Stereo headphone.MicroXRL.Micro Jack.Micro Gain control. OPTIONAL Video Interface.Volume Pedal.Volume Pedal 4 switches.Sustain pedal.Footswitch FS6-FS13.MIDI Pedalboard. COMPUTER PC/Mac Interface.Cable&Software. DIMENSIONS 119 X 39 X 12 Cms WEIGHT Kg 16.5

 PRE MARANTZ FINALE MARANTZ DC 3250 Caratteristiche:   Description Full complementary output, zero phase shift, DC. Rarity Rare Retail Price 440 Designed in USA Manufactured In Japan First Year 1977 Last Year 1980 Matching Preamplifiers 3250,3250b,3650 Matching Tuners 2100,2110,2120,2130 Rack Mount Optional Wood Case WC-110 Silver Face Yes, Extruded Channels Two Speaker Connections One Set Fusing Rear panel, buss Unswitched AC Outlets Two, 100 watts total Special Option 1 RHA1 Rack Mount Adaptors Amplifier RMS Power Per Channel 86 @ 8 ohms, 108 @ 4 ohms Total Harmonic Distortion (THD) 0.03% @ 86, 0.05% @ 108 Power Bandwidth 20 Hz - 20 kHz Gain Control(s) One per Channel DC Capable Yes, switchable Peak Lamp(s) Two Overload Lamp(s) One per Channel Output Meter(s) 3 1/4 inch, q2 Cooling Fan(s) No Output Impedance(s) 4 to 16 ohms   Physical Width 16 1/2 Height 5 3/4 Depth 11 3/4 Weight 28      Caratteristiche:   Description Full complementary output, zero phase shift, DC. Rarity Rare Retail Price 440 Designed in USA Manufactured In Japan First Year 1977 Last Year 1980 Matching Preamplifiers 3250,3250b,3650 Matching Tuners 2100,2110,2120,2130 Rack Mount Optional Wood Case WC-110 Silver Face Yes, Extruded Channels Two Speaker Connections One Set Fusing Rear panel, buss Unswitched AC Outlets Two, 100 watts total Special Option 1 RHA1 Rack Mount Adaptors Amplifier RMS Power Per Channel 86 @ 8 ohms, 108 @ 4 ohms Total Harmonic Distortion (THD) 0.03% @ 86, 0.05% @ 108 Power Bandwidth 20 Hz - 20 kHz Gain Control(s) One per Channel DC Capable Yes, switchable Peak Lamp(s) Two Overload Lamp(s) One per Channel Output Meter(s) 3 1/4 inch, q2 Cooling Fan(s) No Output Impedance(s) 4 to 16 ohms   Physical Width 16 1/2 Height 5 3/4 Depth 11 3/4 Weight 28    

Acoustic Direct Box b'&' Preamp with 5-band EQ Due to its studio quality performance, powerful tone shaping EQ and rock-solid reliability, the Para DI has become an indispensable stage tool for countless musicians around the world. This roadworthy box effortlessly tames the stage and enhances any acoustic pickup for a fuller, more complex sound. The Para DI features a 5-band EQ with a tunable midrange and notch, variable gain control for passive or active pickups and a high-quality DI output for a pristine signal to the board. FEATURES: Adjustable gain for both passive and active pickups 5 band EQ with tunable notch and midrange bands Phase inversion for best sound and feedback control XLR and 1/4b'"' outputs Works with 9V battery or 48V phantom power

Amplificatore per acustica marca Crate mod. CA30DG Nuovo in Promozione "Fuori Uno" per singolo prodotto di magazzino 2 anni di garanzia Prodotto ideale per amplificatre strumentazione acustica, chitarre e strumenti ad arco amplificati. chiedi costo spedizione The CA30 Taos compact acoustic amplifier delivers 30 watts RMS and incorporates two inputs, each with its own gain control. Three bands of equalization, with Crate's exclusive Contour control, provide exceptional tone control and minimize feedback. The polypropylene 8" woofer/dome tweeter combination delivers smooth, pristine sound with outstanding projection and fidelity. The CA30 also features 8 of Crate's stunning DSP effects, including short and medium Slapback Delays, Echo, Chorus, Rotary Speaker, Chorus (with Hall Reverb), and two distinct Reverb modes. There's even a front panel Insert jack, so you can add your own effects, and a Line Out jack for chaining additional amplifiers. Crate 8" high fidelity woofer and dome tweeter 30 watts RMS Two channels 3-band EQ and contour (mid frequency) control 8 digital effects with level control Effects loop

Testata swr workingman's 300 + cassa beringher ultrabass ba410 per semplice realizzo conto terzi vendo perfettamente funzionante: - testata workingman's 300 solid state front end hi and low sensitivity 1/4" inputs, gain control with led peak clipping indicator, aural enhancer control, 5 band eq section, 80 hz (bass), 160 hz (low mid), 400 hz (mid), 800 hz (hi mid), 3khz (treble), footswitchable mid range, variable limiter, speaker on/off switch, effects blend control, headphone jack, sidechain effects loop, balanced xlr output, (2) 1/4" speaker outputs. power output: 340 watts rms 2.6 ohms 270 watts rms 4 ohms 160 watts rms 8 ohms weight: 18 lbs size: 19"w x 3.625"h x 10.625"d - beringher ultrabass ba410 cassa per basso ba410 - speaker 4 x 10" high-performance 1000-watt bass cabinet con 4 coni 10" in alluminio originale bugera e 1 driver a tromba da 1" non fatemi proposte per scambi o sconti vari (considerato il prezzo di tutto sarebbe anche offensivo...:)

Vendo ampli Dymavery GA15,70 euro spedizione compresa. 15 W guitar amplifier 15.26 cm (6") speaker Guitar input with gain control 3-band equalizer (bass, midrange, treble) Level control Overdrive function, switchable, with separate distortion control Headphones output Output for external loudspeaker

MIXER 3 CANALI PER DJ Il GEMINI PS626X è dotato del Rail Glide cross fader, con una curva regolabile ed è quindi ugualmente efficace per il mixaggio in modo uniforme da una fonte all'altra o per i difficili tagli tra i canali. Il PS-626X dispone anche di un manopola del guadagno ed EQ a 3 bande per ogni canale, insieme ai controlli Master Volume e Volume Cue. Una sezione Mic dedicata permette anche di regolare il tono ed il volume del segnale microfonico con EQ a 2 bande e Gain Control. Caratteristiche principali Mixer 3 canali Ingressi: 6 line, 2 phono/line e 1 microfonico Bassi, Medi, Alti e Gain su ogni canale Cavo per connessione ipod incluso Regolazione della curva di taglio e inverter Uscita cuffie, master e rec Dimensioni: 254 x 84 x 304mm Peso: 2,76kg Visualizza il Manuale in PDF

MAXVIEW Amplificatore d’antenna per Camper Mod. VSBGAZ12 Alimentazione a 12/24 Volt Line power 9V DC 40mA MAX Gain Typically 22dB Gain control range 20dB UHF/VHF/FREQUENCY Coverage 40-860MHz Channel 21-69 UHF/VHF/FREQUENCY Coverage 40-250 MHz Si raccomanda l’inserimento di un fusibile da 2 A sul cavo positivo di alimentazione. Apparecchio per uso continuativo SOLO PER USO INTERNO

SUBWOOFER AMPLIFICATO IN CASSA (4?) Lâ€(TM)unità SWD-2000 utilizza un amplificatore mono di classe D MRP-M350 V-Power con unâ€(TM)uscita da 350W x 1 per attivare un cono del woofer da 20 cm. La protezione è abbastanza rigida da eliminare risonanze indesiderate e il design Bass Reflex assicura bassi chiari e precisi con unâ€(TM)eccellente qualità audio. Gli effetti dei bassi profondi nei film dâ€(TM)azione saranno impressionanti grazie a SWD-2000. [Features SWD-2000] • 350W Peak Power • Frequency Response: 50Hz-200Hz (-24dB/oct.) • 8" (20cm) Cone Woofer • LPF Control • GAIN Control • Speaker/RCA Input • Variable BASS EQ • 4V Input Ready

Vendo: - GEM WK2 Hard Disk Ottima per Karaoke ! ! ! Con una semplice interfaccia midi riproduce i suoi suoni con qualità superiore....da ascoltare ! ! ! E' l'unica tastiera della GEM provvista di cavo con presa scart collegabile direttamente al monitor per visualizzare i testi delle canzoni ed è indicatissima per fare Karaoke ! ! ! Tastiera 61 tasti con dinamica Polifonia 32 note max Suoni 444 suoni PCM + 17 drum kits Effetti 22 riverberi + 22 effetti Modo operativo 3 sezioni real-time (lower, upper1, upper2); single, split (programmabile), layer Controlli Volume, transpose, tuning, metronome, touch sensitivity, pitch bend programmabile (+/- 12) 2 tastierini numerici indipendenti (style/song-sound) Pads 4 pads programmabili Display LCD multifunzione colorato e retroilluminato Harmony 8 tipi Sequencer 7 song style, 8 tracce: lettore 16 tracce hard disk 1.44 gigabyte Disk Drive Load, save, delete, format (720 Kb - 1.44 Mb), utility, funzioni 'direct-from-floppy', 'play-all-songs', 'load-while-playing' Possibilità di aggiungere interfaccia per Vocal Processor/Digital Sampling per editare i propri suoni Completa del suo leggio, cavo interfaccia per l'uscita tv, manuale, migliaia di basi midi precaricate, supporto, custodia per il trasporto. Ha avuto da poco una revisione completa da un tecnico specializzato nelle tastiere GEM. - Custodia Tastiera GEM WK2 morbida con tasche - Mixer Audio M802-fx Voice System completo di Alimentatore e suo Supporto. 8 canali Mic/line Presa cuffia Return L/R Out EFX AUX Main L/R Tape in/out The smallest professional 8ch mixer from Voice System, in an extra light alluminium package. 4 balanced low noise mic/line channels, with gain control. 2 balanced stereo line channels. Recording input and output (TAPE IN – OUT). 1 internal effect send. 2 tone controls for each channel. LED bars with clip indications. Splitted STEREO outputs. Phones Output with high dynamic range with level control. - Cassa Spia Voice System Contact da 250W. - Asta Cromata porta Microfono regolabile. - Microfono Shure SM58: è un microfono dinamico per voce estremamente versatile, con caratteristica polare cardioide, che è diventato uno standard del settore. È ottimizzato per offrire una riproduzione calda e nitida della voce. L’SM58 è, di conseguenza, la prima scelta per le esibizioni canore in tutto il mondo. - Cavi per Tastiera e Microfono IL TUTTO PERFETTAMENTE FUNZIONANTE ! ! ! Non si effettua spedizione, il ritiro avverrà sul posto.

24 canali tutti con: xlr-input jack 6.3 input insert gain control 3 bands equalizer effect send monitor send balance/pan fader 60mm peak led +6 phono input (cinch left&right) +phantom power for each track +fader left/right output +monitor output +sum output +2 stereo effects returns +2 large led meter +headphone output and fader for the headphone output 83,6cm x 10,5cm x 42,0 cm. 15kg 27watts per causa inutilizzo vendo

1) Telecamera professionale ad alta risoluzione 24LED con ottica fissa 3.6mm interamente costruita con componentistica classe A, scocca esterna in materiale alluminio di colore nero, è ideale per interni ed esterni. Incorpora la funzione NIGHT&DAY, è in grado di riprendere a colori in presenza di luce e in bianco/nero al buio totale grazie ai 24 led che forniscono illuminazione infrarossa fino a circa 30 metri di distanza. Attivazione IR: Attivazione crepuscolare automatica al di sotto di 10 lux Uscita video: BNC Segnale composito: 1Vpp,75 ? Auto Gain Control: Auto Alimentatore non incluso Contenuto della confezione: 1 x Telecamera 1 x Staffa di montaggio. I cavi alimentazione/video (bnc) da 20 metri costano 5 euro, posso anche sostituire il connettore bnc con uno rca per il collegamento in tv con ingresso rca Una telecamera 16,5 euro, 4 telecamere 60 euro. 2) Microtelecamera a colori (ultime 2 foto) con possibilità di collegarla facilmente a qualunque registratore DVR, trasmettitore o monitor provvisto di ingresso video e audio. Integra un microfono per l'audio e si può posizionare in pareti, mobili o dovunque sia necessario monitorare ambienti. Facile da collocare in un sistema di video sorveglianza. Si collega tramite RCA. Caratteristiche tecniche: Sensore CCD Uscita video 1.0Vp-p75 ohm S/N Ratio: =48(AGC Off) Lens: Standard f:3.7mm Microfono esterno Temperature: -10?~+50? RH95% Power Supply: DC 9-12V 500mA Dimensioni: 14x14x18mm Una microcamera 15 euro 3) Cavo video e alimentazione da 20 metri bnc/bnc 5 euro, connettore bnc/bnc per collegare 2 cavi da 20 metri 1 euro,sdoppiatore di alimentazione per alimentare fino a 8 telecamere con un solo alimentatore (alimentatore minimo 8 ampere) 2,5 euro. 4) Cavi RCA/RCA da 10 metri 4 euro(econda foto)

Multiplex Camera cctv 4 ingressi coax alarm uscita schermo diviso 4 o intero. Usato perfettamente funzionante. Prezzo trattabile + eventuale spedizione 30 fields / sec 1024 x 512 for full screen 16 bit (256 digital steps) Manually switching between standards NTSC or PAL 1.0 Vp-p adjustable, 75 terminated BNC x 4 1.0 Vp-p full screen or quad, switched output 75 BNC x 1 1.0 Vp-p quad video output, 75 BNC x 1 0.65 million Adjustable "ZOOM" function On screen "MENU" setup 8 character camera titles ON / OFF TIME & DATE generator, Location moveable ON / OFF Sub-picture of quad freezes DB9P D-connector NO / NC 1A / DC 12V max. load 1 ~ 255 sec 0 ~ 99 sec 1 ~ 99 sec 1 ~ 255 sec 1 ~ 300 sec Video loss / Alarm detection (on screen alarm notification) -10 'C ~ +50 'C DC 16V (Adapter 110V or 230V) 0.9A Steel, black gray baked enamel finish 320 (W) x 50 (H) x 210 (D) 2.5Kg with power supply 434 (W) x 44 (H) x 310 (D) 3.55Kg with power supply 295 (W) x 44 (H) x 330 (D) 2.65Kg 1A Video loss detection & Buzzer setting AC 90V ~ 240V Video loss / Alarm detection (on screen alarm notification and alarm buzzer) 1 ~ 99 sec 6 character camera titles ON / OFF Auto gain control Adjustable Auto switching between standards NTSC or PAL 8 bit (256 digital steps) 16 bit 1024 x 512 for full screen, high resolution picture 60 fields / sec, real time PIH - 624 PIH - 634N PIH - 634P

Mixer digital echo U.S.A. Sound Apparecchio usato funzionante. N.3 ingressi Jack sul frontale,per Microfoni o strumenti tipo chitarra O altro; Regolazioni indipendenti Dei volumi,regolazioni dei Bassi,treble Echo,repeat,delay time,mic gain control. Ingressi pin rca sul lato inferiore: Tape-CD-uscita Play Rec. Alimentazione 220 Volt./ 110 Volt. Misure: L.43 X P.30 X A.5 Cm. Peso Kg.2,6. Cedo a 70 Euro. Mario Tel.3388608738 Consegno nel raggio di 15 Km. O spedisco. Spese a carico del destinatario. +10 Euro.

Marchio: Audiophony Categoria: Mixer analogici 4 channel mixer, 2 microphones, 2 stereo, 1 aux and USB port 2 x microphone inputs via XLR plugs 2 x 6.35 mm jack balanced line input 2 x unbalanced stereo inputs on RCA and 3.5 mm jack 2-band equalizer on MIC/line and stereo channels Gain control for each channel AUX level setting on each channel Balanced MAIN output on 6.35 mm jack Unbalanced Record output via RCA plugs Balanced AUX output on 6.35 mm jack Monitoring output via 6.35 mm stereo jack 1 USB port for connecting a computer LED VU-meter for MAIN output

Marchio: Audiophony Categoria: Mixer analogici 6 channel mixer 4 microphones, 2 stereo, 1 aux and USB port. 4 microphone inputs via XLR plugs 4 Jack 6.35 balanced line input. 2 unbalanced stereo inputs on RCA and 3.5 jack 2-band equalizer on mic/line and stereo channels Gain control for each channel AUX level setting on each channel Balanced MAIN output on 6.35 Jack Unbalanced Record outputVia RCA plugs Balanced AUX output on 6.35 Jack Monitoring outputVia stereo Jack 6.35 1 USB port for connecting a computer LEDVu-meter for MAIN output

Akiyama mx-1 usb professional dj mixer. come nuovo, usato solo una volta. vendo per mancato interesse nell'utilizzo. compreso di scatola originale e manuale. 90 euro + spese postali- 2 stereo channels (2 phono and 2 lines). mic channel (jack connector). 2 usb ports master output (1xrca) treble and bass tone control each channel with -12db cut. cue monitoring (headphones) with level control. master level. detachable crossfader. black colour. input level line: -14db/47k ohm +/- 3db phono: -50db/47k ohm +/- 3db mic: -54db/6k ohm +/- 3db output level master (rca): 0db/47k ohm +/-3db phones (load=32 ohm): -3db/33k ohm +/-3db max. output level (load =47k, thd=5%) master (rca): more than 18db (8v) phones (load=32 ohm): more than 5db (1.8v) channel balance: within 3db frequency response line: 20-20 khz +/- 3db phono: 20-20 khz +2, -3db (riia) mic: 20-20 khz +2, -3db output noise line: less than -75db phono: less than -65db mic: less than -55db distortion master output (load=47k ohm): less than 0.2% phones output(load=32ohm): less than 0.3% crosstalk more than 50db at 1khz between l and r channels equalizer low: +9/-26db +2/-3db a 100hz hi: +9/-26db +2/-3db a 10hz mic equalizer low: +10/-10db +2/-3db a 100hz hi: +10/-10db +2/-3db a 10hz usb section playback (eq flat, fader y master max) output: 0db (1v) +/-2db (-20dbfs, 1khz, gain max) thd+n: less than 0.02% (0dbfs, 1khz; w/ 20khz lpf, gain at 50%) frequency response: 20-20khz +/-2db (gain at 50%) s/n ratio: more than 89db (w/20khz lpf, a-weighed, gain a 50%) channel separation: more than 70db a 1khz (0dbfs, w/20khz lpf, a-weighted, gain at venter) recording and playback (line 1khz, -14dbv input, gain max) output: 4dbv (1.57v) +/-2db tdh+n: less than 0.05% general power consumption: ac9v (220v) dimensions: 228(w)x87(h)x265(d) mm weight: 2.8 kg includes 1 main unit (mx-1usb) 1 instruction manual 1 ac adaptor

Tutti gli Ingressi e le Uscite necessari in uno studio di registrazione Otto ingressi con preamplificatori microfonici Scarlett forniscono headroom eccezionale, gran quantità di gain pulito e lineare, bassa rumorosità e distorsione minima. I due ingressi Instrument di nuova progettazione posizionati sul pannello frontale offrono maggiore headroom. Le porte di espansione ADAT consentono di aggiungere altri otto ingressi ed uscite analogici, particolarmente utili per chi desidera registrare un elevato numero di canali ed integrare numerosi dispositivi esterni. Per quanto riguarda le uscite, Scarlett 18i20 offre piena flessibilità di routing e monitoraggio. Ci sono due uscite jack TRS dedicate per monitor da studio dotate di circuiti anti-thump, più otto ulteriori uscite jack analogiche, due coppie stereo che forniscono uscite per cuffie indipendenti a specchio sul pannello frontale. Grazie alla connettività MIDI potete integrare i vostri sintetizzatori hardware preferiti con la vostra DAW. Wordclock Out a portata di mano per la sincronizzazione con dispositivi esterni. Nuova Generazione â€" Migliore sotto tutti i punti di vista La gamma Scarlett di seconda generazione presenta molti aggiornamenti. Una nuova Latenza bassissima* migliorerà le prestazioni consentendovi di registrare e monitorare con i vostri effetti software in tempo reale. I nuovi controlli gain di metallo e un telaio di metallo rosso lucido ne sottolineano il design industriale migliorato, realizzato per seguirvi ovunque. La serie Scarlett opera ora su tutta la gamma delle frequenze di campionamento fino a 192kHz; anche i canali di ingresso sono stati migliorati. L'ultimo preamplificatore Scarlett è dotato di una struttura del gain più elevata, per impostare i livelli con precisione e anche l'ingresso Instrument è stato completamente riprogettato e consente di gestire le chitarre con pick-up estremamente potenti. Infine, Focusrite ha fornito circuiti di protezione analogici su ingressi e uscite, per proteggere l'interfaccia da sbalzi di tensione indesiderati. Mix Control Intuitivo, Plug-in Red e molto altro Il software 'Focusrite Control' incluso è un nuovo mixer software con impostazioni di monitoraggio e di routing facilmente configurabili. Semplice e intuitivo da usare, Focusrite Control offre il workflow di un mixer tradizionale e consente l'accesso immediato alle funzioni hardware interne. Sono inclusi anche tutto il software e gli effetti occorrenti; una versione esclusiva di Pro Tools First Focusrite Creative Pack (che include 12 plug-in aggiuntivi, tra cui Eleven Lite per una vera emulazione di amplificatore per chitarra), Ableton Live Lite, il Bundle Softube Time & Tone, la Suite di Plug-In Focusrite Red, 2GB di campioni Loopmasters e molto altro ancora.

COPPIA DI CASSE DAP-Audio DLM-12A NUOVE ! SPEDIZIONE 20,00 EURO 339 4276961 The DLM series is our new solution for all entertainers who need a very lightweight and compact speaker system which is very rugged and roadproof. Due to the efficient Class-D power amplifier and build-in DSP protection system, it is almost impossible to deform your sound when normally used. High-end components, including a CELESTION high-driver, give lots of sound pressure and a very high detailed sound. If you want to have a more personalized sound, this is no problem for the DLM. Just add the optional USB control module and now it is possible to adjust the Gain, Equalizer, Low- & High-pass filter by simply using the interface on your laptop Specifications System: 2-way Active Speaker system Coverage: 90° conical Transducer: 12" Woofer, 2.5" voice coil Driver: 1" Exit Compression CELESTION Driver, 1.75" Voice Coil Active Crossover 1.85kHz-DSP Processed with 24dB slope Digital Presets: NORMAL / USER Frequency response: 45Hz-20kHz (-10dB) Max SPL 1m: 128dB Power Amp: High power 500W Low + 500W High Input 1: (MIC/Line) with Combo XLR/Jack Input 2: Combo XLR/Jack and RCA Mix Output: Male XLR balanced USB Control (optional): Gain/EQ/ Trim / high pass filter,and low pass filter and bandpass filter External Control: Volume Control Phase Switch Power ON Clip Limiter USB PORT for optional USB control Electric Protection: Thermal/Convection-Fan/Overload/Digital Lim./Compressor Handling: One standard 35mm metal pole-mount plus one handle on top Enclosure: 15mm poplar plywood cabinet & ABS High-strength top and bottom protectors Dimensions (HxWxD): 414x388x365mm Weight: 18,7Kg

Nuovo, imballato. 10 anni di garanzia del costruttore. Preamplificatore in classe A, amplificatore per cuffie, design completamente bilanciato basato sul Master 9 Completo del bellissimo telecomando metallico (estrusione di alluminio satinato) visibile in foto. Costruito interamente a componenti discreti Uscita bilanciata con connettori Neutrik XLR Uscita cuffia con presa bilanciata 4 pin e jack S.E. 2 Ingressi bilanciati connettori Neutrik XLR 3 Ingressi RCA con connettori di alta qualitá Controllo volume con caratteristica super esponenziale 8000 mW con uscita a 40 ohm Componentistica hi-end Per maggiori nformazioni si rimanda al sito del costruttore. Estratto delle caratteristiche come da sito Audio GD: Fully balanced class A design built by discrete analog stages without any OPA or coupling caps in the signal channels. Non- feedback ACSS analog output stage. 8000mW at 40 ohm output, 16DB gain can drive the low sensitivity headphone very well. Class A PSU's for DC supply. Uses most Hi-end grade parts and exactly matched transistors, OCC wires. Four-channel 100 steps digitally controlled relay-based volume control avoids channel imbalance and improves sound quality. Supper Exponential Volume Characteristic, easy match the volume with very high headphone / speaker without change the gain mode. 5 groups input: RCA X3, XLR X2, Preamp output: XLR / RCA / ACSS Headphone amp output: 4pins XLR X1 / 6.3MM X1 Static storage mode control software for avoid disturb sound quality, the MCU output once control data and save in the perform parts,then stop output data until users next operation.

Tutti gli Ingressi e le Uscite necessari Quattro ingressi con preamplificatori microfonici Scarlett e due ingressi Instrument high-headroom di nuova concezioneconsentono di registrare qualsiasi combinazione di strumenti o voci. Collegate synth, tastiere o mixer nei 4 ingressi Line supplementari presenti sul pannello posteriore, e collegate qualsiasi dispositivo con I/O digitale agli ingressi SPDIF per registrare 10 canali simultaneamente. Collegate un OctoPre via ADAT, per avere fino a 12 preamplificatori microfonici e 16 ingressi analogici. Due uscite per cuffie consentono di inviare mix individuali a due artisti o ad un tecnico ed un artista, mentre quattro uscite jack bilanciate permettono il collegamento a monitor da studio professionali. Grazie alla connettività MIDI potete integrare i vostri sintetizzatori hardware preferiti con la vostra DAW. Nuova Generazione â€" Migliore sotto tutti i punti di vista La gamma Scarlett di seconda generazione presenta molti aggiornamenti. Una nuova Latenza bassissima* migliorerà le prestazioni consentendovi di registrare e monitorare con i vostri effetti software in tempo reale. I nuovi controlli gain di metallo e un telaio di metallo rosso lucido ne sottolineano il design industriale migliorato, realizzato per seguirvi ovunque. La serie Scarlett opera ora su tutta la gamma delle frequenze di campionamento fino a 192kHz; anche i canali di ingresso sono stati migliorati. L'ultimo preamplificatore Scarlett è dotato di una struttura del gain più elevata, per impostare i livelli con precisione. L'ingresso Instrument è stato completamente riprogettato e consente di gestire le chitarre con pick-up estremamente potenti. Infine, Focusrite ha fornito circuiti di protezione analogici su ingressi e uscite, per proteggere l'interfaccia da sbalzi di tensione indesiderati. Mix Control Intuitivo, Plug-in Red e molto altro Il software 'Focusrite Control' incluso è un nuovo mixer software con impostazioni di monitoraggio e di routing facilmente configurabili. Semplice e intuitivo da usare, Focusrite Control offre il workflow di un mixer tradizionale e consente l'accesso immediato alle funzioni hardware interne. Sono inclusi anche tutto il software e gli effetti occorrenti; una versione esclusiva di Pro Tools First Focusrite Creative Pack (che include 12 plug-in aggiuntivi, tra cui Eleven Lite per una vera emulazione di amplificatore per chitarra), Ableton Live Lite, il Bundle Softube Time & Tone, la Suite di Plug-In Focusrite Red, 2GB di campioni Loopmasters e molto altro ancora.

Nuovo, solo velcrato, completo di tutto, scatolo, istruzioni e alimentatore 12v With the Legend Amps series, AMT has set itself the task of squeezing classic amp sounds into a pedal without digital modelling. They are therefore purely analogue circuits, which are intended to sound like their tube-packed predecessors. The F-1 pedal delivers the sound of the Fender Twin Reverb, whose specialty is glittering clean sounds above all else, but can also create interesting sounds with a little distortion. In addition, the F-1 is highly suitable as a gain boost - and a flexible one at that thanks to its sound control - or simply as a clean sound control. Thanks to the cabinet simulation you can also go directly into a mixer. This delivers super fast results in the studio, but you are also very well equipped for live situations in which a loud amp simply does not fit. Legend Amp Series Analogue emulation of the Californian Twin Amps True bypass Controls for level, master volume, gain, low, mid and high 2 Outputs Amp Out and Cabinet Simulation Out Channel send and return Effects send and return Power supply for 2 additional 1

Vendo Mixer 8 canali BOSS BX8 8 linee in entrata, uscita stereo, slider master volume separati numerosi effetti con controllo d'intensità, ingresso jack per line CARATTERISTICHE: -Overload Indicators: This lighrs up when the input signal level of each channel is too high -Gain Knobs: The Gain Knobs of each channel adjusts the mout gain for mixing -Treble Knobs -Bass Knobs -Effect-Send Knobs: These knobs control the level of the signals to be sent to the Effect -Headphone Level Knob: -Level Meters: These indicate the level of the output signals. -Master Faders (L, R): These sliders control the overall volume of the mixed signals separately for left and right. -Pilot Lamp: When the mixer is turned on. this lamp lights up -Power Switch: -Output level Selector Switch: This switch selects output level ot the signal sent from the Output Jacks. At the "+4" position. the rated output level (the output level when the Level -Effect1 Return Knobs: This knob controls the Mixing level of the signal returned -Effect2 Return Knobs: -Send Jack: -Headphone Jack: -Input Jacks: -Effect 1 Send Jack: -Effect 2 Send Jack: -Effect 1 Return Jack: -Output Pin Jacks: -Output Jacks (L&R): Alimentatore su richiesta (venduto separatamente)

FUZZ-TONE FZ-M PEDALE FUZZ A Direct Descendant of the Very First Fuzz Pedal Maestro created the worldb'/xe2/x80/x99's first fuzz pedal b'/xe2/x80/x93' the Maestro Fuzz-Tone FZ-1. Introduced in 1962, the Fuzz-Tone became the sound of rock and roll and a must-have accessory for guitarists everywhere after the success of 1965b'/xe2/x80/x99's (I Canb'/xe2/x80/x99't Get No) Satisfaction by the Rolling Stones, which prominently featured its cutting edge sound. Now Maestro is bringing the fun and sonic fury of those early Fuzz-Tones back with the new Maestro Fuzz-Tone FZ-M. This all-analog pedal boasts a Mode toggle switch that provides two pedals in one functionality for increased sonic versatility with both an FZ-1 inspired fuzz sound and a thicker, more modern fuzz tone. Its 3-knob control layout gives you intuitive control. The Attack knob controls the amount of fuzz. The Tone control lets you adjust the timbre from bright and raspy to warm and wooly and anywhere in between. Use the Level control to set the output volume; it can go way beyond unity gain when desired. The true bypass footswitch triggers the LED lights in the bugles in the Maestro logo when itb'/xe2/x80/x99's on, so youb'/xe2/x80/x99'll always know when the effect is active.