Guitar compressor eq

INFORMAZIONI SUL PEDALE GUITAR EFFECTS CONSOLE G7.1ut Vendo pedaliera valvolare perfettamente funzionante. Condizioni ottime usata solo in casa. Preferibile la consegna a mano, spedisco a spese dell'acquirente. Caratteristiche - Valvola 12AX7 - 92 effetti programmabili - 9 moduli di effetti - 160 patch totali - 9 effetti simultanei - Frequenza di campionamento 96kHz - Conversione A/D/A 24 bit - Trattamento del segnale 32 bit - 2 algoritmi separati per registrazione e uso dal vivo - EQ 6 bande - Simulazioni di amplificatori e stomp-box - Pedale di espressione - Zoom Noise Reduction - Chassis in metallo - Midi IN/OUT - AUX input - Pedale di espressione FP-02 - Alimentatore 15V AD-0012 incluso COMPRENSE ANCHE LE ISTRUZIONI ZOOM G7.1UT - PEDALIERA Multieffetto valvolare per informazioni telefonare al n°3382727131 non rispondo via mail. n° casa 0574603277 con alimentatore

Multieffetto rack per chitarra / preamp boss gx700 racchiude in un unico rack tutti gli effetti della serie boss molto caldo e versatile prezzo 200 euro trattabili scheda tecnica boss gx700 guitar effects processor/preamp published in sos june 1996 printer-friendly version • noise gate: with user control of threshold setting. • compressor: with variable attack and release characteristics, plus control over sustain and tone. in common with all the other effects blocks, this also has a level parameter. • wah: this classic effect is familiar to guitarists everywhere, and can be recreated quite convincingly with the gx700, either under lfo or pedal control. the resonance of the wah effect can be varied, as can the frequency range over which the effect sweeps. • distortion: i suspect this section is based around the concepts used in the boss analogue pedals. the choices available include vintage od, turbo od, blues, distortion, turbo distortion, metal and fuzz. in addition to an adjustable drive level, the distortion settings also have a basic 2-band bass/treble equaliser. • preamp: this is where cosm modelling comes into play, because here you can select from several amplifier characteristics, including jc120, clean twin, match drive, big lead, ms1959 (i), ms1959 (ii), ms1959 (i+ii), sldn lead and metal 5150. the available controls include the usual bass, middle, treble and presence, as well as the volume/master volume method of setting the amount of amp distortion, and a 'bright' switch. a gain parameter is also included, which affects the distortion amount. • loop: this isn't an effect at all, but rather a means of switching in an external effect or processor. the loop function connects via the rear panel jacks, and has adjustments for both send and return levels, which is a sensible inclusion. • 3-band eq: despite the fact that the overdrive section and the preamplifier both have tone controls, there's also a 3-band equaliser with a fully parametric mid section. • speaker simulator: this again offers several choices: small, middle, jc-120, built-in 1-4, big stack 1-2, ms stack 1-2 and metal stack. there are also three possible virtual mic settings, for close miking and more distant miking, and separate level controls are provided for the mic level and the direct level. • noise suppressor: this comes at the end of the amplifier chain, but before the effects. however, because the effects can be connected in any order, it can be used elsewhere if you have a reason for doing so. personally, i'd be inclined to use it after the modulation effects (for anything that doesn't involve level modulation, such as panning or vibrato), but before any delay or reverb effects. as far as the user parameters go, these are really down to threshold and release time, though you can also choose to key the gate from either the noise reduction block's own input or from the guitar input jack.

Il C4 Quad Compressor / Limiter / Equalizzatore dinamico presenta funzionalità ineguagliabile, prestazioni e valore ergonomico. La C4 offre quattro canali ricco di funzionalità di compressione e limitazione in un formato 2U. Opzioni di side - chain interni ed esterni offrono un equalizzatore parametrico completamente regolabile in compressione dipendente dalla frequenza o de- essing. Il limitatore muro sovracampionato determina il livello di uscita massimo e funziona indipendentemente dal compressore. Canali adiacenti collegano in un accordo di master / slave per garantire un monitoraggio accurato di ingressi stereo. Metri intuitivi mostrano il livello della catena laterale rispetto alla soglia, riduzione del guadagno e la gamma dinamica completa a colpo d'occhio. Controlli analogici (manopole, cursori) permettono un esecutore o un ingegnere del suono per fare regolazioni precise in tempo reale. Elaborazione del segnale digitale (DSP) offre un grado di precisione, la coerenza e la flessibilità che semplicemente non può essere abbinato con una progettazione analogica tradizionale. Il C4 combina il meglio dei due mondi utilizzando controlli analogici e l'elaborazione digitale ad alte prestazioni per ottenere un set di funzionalità senza precedenti. I vantaggi di questo approccio: Consente l' uso di compressione avanzata e tecniche di EQ dinamici che sono difficili o costosi da implementare nei disegni analogiche tradizionali. Precisione e ripetibilità migliorata. Immunità eccezionale per RF e interferenze elettromagnetiche. Riduzione del costo per canale.

Marchio: JHS Pedals Categoria: Pedali Compressori Compressor Dalla serie JHS Pedals 3 Le opzioni di controllo intuitive offrono un'ampia gamma di suoni possibili Si va da un'attenuazione uniforme a suoni estremamente compressi L'interruttore Bright attiva una voce EQ più brillante Vero bypass Controlli di volume, attacco e sustain Interruttore a levetta luminoso Bypass interruttore a pedale LED di stato Alloggiamento in metallo Ingresso: jack da 6,3 mm Uscita: jack da 6,3 mm Alimentazione tramite alimentatore 9 V CC (connettore cilindrico da 2,1 mm x 5,5 mm, polarità (-) interna, non inclusa) Consumo di corrente: 8 mA Dimensioni (L x P x A): 112 x 60 x 31 mm Peso: ca. 210 g Colore: Bianco Codice prodotto: JHS-3SCH

Il Roland VG-8 è un rivoluzionario processore per chitarra che utilizza una tecnologia di modellazione avanzata per emulare le chitarre, gli effetti e gli amplificatori più popolari nella storia della musica. Usando la tecnologia COSM (Composite Object Sound Modeling) di Roland, il VG-8 combina diversi "oggetti sonori" - come corpi di chitarra a doppia spalla mancante, amplificatori tweed vintage e pickup humbucking - per creare una perfetta riproduzione di questi componenti che possono essere riprodotti da qualsiasi chitarra con corde d'acciaio con pickup Roland GK-2A o GK-3. Il VG-8 ha anche un pitch shifter polifonico incorporato per la creazione di chitarre a 12 corde e accordature aperte, nonché un completo processore di effetti digitali ed EQ parametrico. 128 Memorie: - 64 patch utente modificabili - 64 preset Risorse: - VGM (Variable Guitar Modeling) fornisce diversi modelli di oggetti sonori tra cui chitarre, pickup, amplificatori, cabinet, microfoni e persino il posizionamento del microfono - HRM (Harmonic Restructure Modeling) per la creazione di nuovi suoni di tipo synth. Nessun ritardo di tracciamento: VG-8 converte la forma d'onda effettiva prodotta da ciascuna corda in un suono completamente nuovo in tempo reale. - Pitch shifter polifonico intelligente per chitarre a 12 corde, accordature aperte, emulazione del basso, ecc. - Elaborazione di effetti digitali ad alta velocità tra cui riverbero, chorus, hexa-pan, delay e EQ parametrico - tutti simultaneamente. Contenuto del pacchetto: - Roland VG-8 expanded - Cavo collegamento rete - Manuale cartaceo italiano - Non compresi pickup esafonico e cavo collegamento necessari al funzionamento. Ãf^ comunque possibile provare il sistema prima di acquistarlo. Invio via mail: - Manuale pdf inglese - Recensione Strumenti Musicali - Recensione European Musician Eventuale spedizione a carico dell'acquirente: +10 euro.

Expressive Compact with Distinctive, All-New Tones Powered by Multi-Dimensional Processing technology (MDP), the MO-2 Multi Overtone uses your guitar’s harmonic characteristics to create a wide range of extraordinary new sounds. Next-generation BOSS compact pedal with innovative Multi-Dimensional Processing, realized with proprietary technology and custom DSP Impressive, harmonically rich sounds that compliment and enhance your straight guitar sound Works well with both clean and distorted guitar tones, and also bass guitar Ultra-responsive to volume changes and playing dynamics Three different sound modes; wide range of tonal adjustment with simple controls Mono or stereo output

Splendida chitarra Crafter Acustica Amplificabile. Simile ad un Ovation, suono corposo e limpido. Mai usata dal vivo, vendo per cambio strumentazione. Pickup funzionante ed equalizzatore

Marchio: KORG Categoria: Sintetizzatori a Tastiera Tastiera: 37 tasti sensibili alle velocity di attacco e di rilascio Polifonia massima: 60 voci stereo Sistema di generazione sonora: modwave synthesis engine Controlli: Mod Wheel, Pitch Wheel, Kaoss Physics e 4 Mod Knob Altre sorgenti: 4 inviluppi, 5 LFO, 2 Mod Processor, 2 Key Track, Seq Lanes A-D, Step Pulse, Tempo, Program/Performance Note Count, Program/Performance Voice Count, Poly Legato, Velocity, Exponential Velocity, Release Velocity, Gate, Gate+Damper, Note-On Trigger, Note-On Trigger+Damper, Note Number, Aftertouch e Poly Aftertouch (solo via MIDI), MIDI CC +/-, MIDI CCs + Destinazioni: La maggior parte dei parametri, inclusi i parametri di ogni singolo step del Motion Sequence. A seconda della durata del Motion Sequence, possono esserci fino a 1000 potenziali destinazioni di modulazione per Program. Pre FX: Decimator, Graphic EQ, Guitar Amp, Modern Compressor, Parametric EQ, Red Compressor, Ring Modulator, Tremolo, Wave Shaper Mod FX: Black Chorus/Flanger, Black Phase, CX-3 Vibrato Chorus, EP Chorus, Harmonic Chorus, Modern Chorus, Modern Phaser, Orange Phase, Polysix Ensemble, Small Phase, Talking Modulator, Vintage Chorus, Vintage Flanger, Vintage/Custom Wah, Vox Wah Delay: L/C/R Delay, Multiband Mod Delay, Reverse Delay, Stereo/Cross Delay, Tape Echo Master Reverb: Early Reflections, Overb Master EQ: EQ a 4 bande parametriche Uscite audio: L (mono) e R su prese Jack TRS da 6.3mm (1/4”) Uscita cuffia: Jack TRS (stereo) da 6.3mm (1/4”) Connessioni MIDI: MIDI IN b'&' OUT DIN; MIDI via USB tipo “B” Ingresso per pedale: Damper Jack 6.3mm (1/4”); half-damper NON supportati Alimentazione: Adattatore (incluso) AC KORG KA-390 (DC12V) Consumo: 5 W Dimensioni e peso: 565×338×93mm Peso: 2.9kg In dotazione: Adattatore AC (KORG KA-390) Accessori compatibili (venduti a parte): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

swr marcus miller m2 preamp. preamplificatore per basso professionale completamente a valvole compresa d.i. pedale footswitch compreso eccellenti condizioni estetiche e di lavoro come nuovo il marcus miller preamp è uno dei preamplificatori più flessibili mai realizzati il miglior preamplificatore per basso che abbia mai posseduto la miglior d.i. a bordo di un preamplificatore il miglior compressore integrato in un preamp suona estremamente pulito, caldo, trasparente e naturale potenti capacità di modellare il suono funzionalità eq bypass completa (incluso aural enhancer) un canale (due ingressi selezionabili per facili cambi di strumento) preamplificatore per basso valvolare marcus miller preamp mette nelle tue mani un sacco di capacità di modellare il tono. costruito da una partnership tra swr e marcus miller swr marcus miller preamp features: 1.two selectable inputs for easy instrument changes 2. 3-band semi-parametric tube-driven eq with sweepable mids 3. eq bypass capability 4. marcus miller-modified swr aural enhancer circuit with pull defeat 5. all-tube studio-quality direct out 6. mute switch 7. bass intensifier circuitry 8. swr studio-quality tube-driven compressor with pre or post eq "comp position" switch; boost feature with volume control & compression blend 9. side chain effects loop with blend control 10. selectable line out for tube di, post eq or compressor position out 11. 4-button footswitch (bass intensifier, eq bypass, effects loop, boost) included 12. xlr and 1/4" preamp out with ground lift switch, 13. tube di with xlr and 1/4" out with ground lift switch, volume level 00 to 1800, phase switch and 3-position direct (pre)/compressor output/line (post) switch 14. tube complement: 2 x 12ax7 (tube di and preamp) unique features: marcus miller modified aural enhancer complete eq bypass capability (including aural enhancer) bass intensifier circuitry all-tube direct out; swr studio- quality tube-driven compressor; “comp-position” - allows compression pre or post eq; boost feature w/ compressor blend; made in the usa

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Marchio: KORG Categoria: Sintetizzatori a Tastiera Tastiera: 61 tasti sensibili alle velocity con aftertouch Polifonia massima: 80 voci (Il numero massimo di voci può variare a seconda delle impostazioni) Generazione sonora: Altered FM Struttura: 6 operatori, 1 filtro, 3 EG, 3 LFO, 3 effetti, step sequencer e arpeggiatore Algoritmi: 40 preset + user algorithm (unico per ciascun program) Operatori: 6 modalità (FM, Ring Mod, Filter, Filter FM, Wave Folder ed Effect) 21 forme d’onda per gli oscillatori: Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White. 11 tipi di filtro: LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12) 3 Inviluppi: ADSR LFO (23 forme d’onda): Triangle, Saw Down, Saw Up, Square, Sine, Sampleb'&'Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvlb'&'Time, StepRnd:Level, Random:Time, Random:Lvlb'&'Time, Triangle +, Saw Down +, Saw Up +, Square +) Virtual Patch: 12 routing Processore d’effetti (30 tipi): Chorus, Unison Ensemble, Phaser, Phaser (BPM), Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM), Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM), Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM), Early Reflection, Reverb, Shimmer Reverb, Spring Reverb) Sequencer: Step Sequencer 16 steps (6 note per step), Motion Sequencer (6 linee per automazione parametri) Arpeggiatore: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER) Program (suoni): 500 (350 preset e 150 user) FAVORITE: 64 (16 Slot × 4 banchi) Controller: rotelle MODULATION e PITCH, RATIO OP 6 manopole, LEVEL OP 6 slider, 6 manopole DATA ENTRY Uscite audio: L (mono) e R su prese Jack TRS da 6.3mm (1/4”) Uscita cuffia: Jack TRS (stereo) da 6.3mm (1/4”) Connessioni MIDI: MIDI IN b'&' OUT DIN; MIDI via USB tipo “B” Ingresso per pedale: Damper Jack 6.3mm (1/4”); half-damper NON supportato Alimentazione: Adattatore (incluso) AC KORG KA-390 (DC12V) Consumo: 5 W Dimensioni e peso: 565×338×90mm; 2.9 KG Accessori inclusi: Adattatore AC (KORG KA-390), Custodia rigida brandizzata KORG Accessori Compatibili (venduti a parte): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Tastiera Arranger Yamaha PSR-S770. Acquistata nuova e in Garanzia fino a Marzo 2020. Strumento Indistinguibile dal nuovo. In dotazione: - Imballo originale - Accessori: Leggio, Alimentatore originale, Manuale in Italiano. - Custodia Morbida Professionale - Pen Drive 16 giga precaricata con il miglior software reperibile per lo strumento - 600 premium Styles Yamaha dal costo di 7 euro cadauno - Expansion pack da 158 mega con librerie di suoni Ketron SD1 Plus (Sax), Fisarmonica Lucchini (Bandoneon, Musette, Fisa), Librerie desunte da Tyros4 e 5, Librerie desunte da Roland E80/G70, ecc Caratteristiche: - 128 note di polifonia - Display grafico a colori da 7 pollici - Master Compressor e Master Eq, esattamente come sui Tyros - Registratore Audio Wav, una traccua stereo - Riproduttore Audio Wav e Mp3 con trasposizione, accelerando/ritardando, Vocal Remove sui files audio - Ingresso Mic/Line/Guitar di altissima qualità. Effettistica identica a Tyros5 - Funzione Audio Style - Generazione sonora Megavoice - Generazione sonora SuperArticulation - Flash Ram da 160 mega - Sistema di aplificazione integrato da 30 Watt RMS - Porta USB to Host Midi - Porta USB to Device - Sequencer 32 tracce - Applicazioni per iPad - 360 Preset Styles (Session e Free Style) - Oltre 1200 Voices di eccellente qualità Prezzo FULL OPTIONALS E PER SOLO CONTANTE di €. 749 SPESE DI SPEDIZIONE INCLUSE Valuto preferibilmente come permuta parziale + conguaglio a mio favore uno dei seguenti strumenti - Yamaha PSR-S950 - Yamaha Tyros2 - Yamaha PSR-S910 - Yamaha PSR-S750 Tel - 392 5353261 - 339 3036644

Tastiera Arranger Yamaha PSR-S770. Condizioni indistinguibili dal nuovo. In dotazione: - Imballo - Leggio - Alimentatore originale - Custodia Trolley Professionale Rockbag RC21617B (del valore reale di 149 euro) - Expansion Pack da 155 mega con pregevoli librerie della Orgel Studio, Ketron, Pemo Software, Delta Studio, Yamaha Tyros4, ecc - 600 Premium Styles originali Yamaha (non reperibili "gratis") - Pen Drive da 16 giga precaricata con tutto il software su citato Caratteristiche: - Tecnologia SuperArticulation e Megavoice - 128 note di polifonia - Display Grafico da 7 Pollici - Ingresso Mic/Line/Guitar con effetti del Tyros5 - Porta USB to Host Midi - Porta USB to Device - Registratore Digitale Stereo - Master Compressor e Master EQ come sui Tyros - Riproduzione files Audio MP3 e Wav con Trasposizione,Time Stretch, Pitch Shift, Vocal Cancel - 830 Preset Voices - 480 XG Voices - Modo Organ Flute (Hammond) - Modo Audio Link - 360 Preset Styles - Nuovi DJ Styles - Sequencer 32 tracce - Arpeggiatore Polifonico - Flash Ram interna da 160 mega - Sistema di amplificazione integrata da 30 Watt RMS in classe D Qualità sonora eccezionale Prezzo Full Optionals €. 750 Prezzo SENZA Trolley Rockbag €. 690 Tel - 388 7925923 - 339 3036644 - 392 5353261

Uno dei più famosi preamplificatori più usati nei professional studios composto da API 500-6b Lunchbox alimentatore incorporato +1 unità API 550b discrete 4 Band EQ Equalizzatore, 1 unità API 525 discrete Compressor, re-issue effetto processore, +2 unità API 512C - Discrete Mic / Line Preamp. tutto in blocco. Valore commerciale Api 512 C EUR 1.090,00 cad. 1; Valore Lunchbox EUR 899,00, Volre equilizzatore API 550b discrete 4 Band EQ EUR 1.750,00,Valore API 525 discrete Compressor EUR 1.425,00, quindi totali di listino = 6254 euri nuovo; Suono massiccio, eccezionale e molto caldo....Vendo causa inutilizzo Io lo vendo come nuovo perfettamente funzionante usato solo in studio non fumatori in pochissime occasioni al prezzo di 4000 euro tonde, vendo solo in blocco.No perditempo,a solo per veri interessati per gli interessati affare perchè come nuovo