The input

Ottimo finale Thomann The T.amp S-100 mk2, in ottimo stato, perfettamente funzionante. 2x 100 W at 4 ohms 2x 65 W at 8 ohms Balanced inputs with XLR and jack Bridge mode possible Speaker Twist and binding posts for speaker out All protective circuits including soft-start Input level switchable from -0 to +4 dB Damping factor > 150 Without fan Input sensitivity switchable from 0.775 V (RMS) to 1.4 V RMS, or to 26 dB gain 1 RU, 33 cm deep Slew rate: 35 V/µs Weight: 7.5 kg

Vendo come da titolo cassa monitor the box MA120MKII causa inutilizzo. La cassa è da 120 watts, ha un subwoofer da 12" Ha 2 input (xlr) ed ha un equalizzatore a tre bande. Funziona tutto perfettamente e do in dotazione anche il cavo d'alimentazione. Prezzo trattabile.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Garanzia 3 anni In stock spedizione assicurata in tutta italia punto assistenza in italia per il periodo di garanzia anthem mrx720 - a high powered and highly specified a/v receiver from anthem continuing a line of highly respected machines. equipped with dolby atmos moving up the line, the mrx 720 includes 7 channels of amplification, which is suitable for driving 7.1, 5.1.2, and 5.1 plus zone 2 speaker systems. with external amplification for height speakers the main pre-outs can be used for 7.1.4-channel systems. the input complement is similar to that of the mrx 520, adding a front hdmi input which also supports mhl. other standout features include dolby atmos and dts:x immersive audio decoding (dts:x via a future software update). dts play-fi wireless multiroom-audio technology is also built in. users can also enjoy the wireless network connection to run the award-winning anthem room correction system, making setup more convenient than ever before. 11.2 pre-amp / 7 amplifier channel a/v receiver with dolby atmos and dts:x. 140 watts per channel continuous power into 8 ohms. includes arc (anthem room correction). 11.2 pre-amplifier & 7 amplifier channels dolby atmos® dts:x(TM) arc(TM) anthem room correction 4 speaker profile memories quad core digital signal processing two sub out jacks (parallel) premium 32-bit / 768 khz differential-output d/a converters wireless network connection dts play-fi® - local and streaming hdmi & video hdmi 2.0a hdcp 2.2 4:4:4 subsampling at 4k60 (18.2 gbps) high dynamic range (hdr) bt.2020 color gamut on-screen display with 4k 50/60 4k 50/60 switching contatti: skype:dsdhomecinema or what 0041789105968 advanced load monitoring (alm) fm tuner low standby mode power consumption remote control app for ios (apple) and android (coming soon!) decoding dolby truehd dts-hd master audio listening modes anthemlogic - (11.2 channels with mrx 1120 and 720, 5.2 channels with mrx 520) dolby surround dolby pro logic ii on mrx 520 dts neo:6 - cinema, music all-channels - all-speaker stereo inputs 8 hdmi inputs (7 rear and 1 front-panel input on mrx 1120 and mrx 720, 7 rear inputs on mrx 520) digital audio inputs: 2 coaxial + 3 optical 5 stereo analog rca inputs hdmi on-screen display - setup, video adjustments, status, song/artist info from radio stations mhl supported inputs xvycc, adobe rgb, adobe ycc601, sycc601, deep color 2 parallel outputs consumer electronic control (cec) audio return channel standby pass-through custom installation ip control rs-232 control ir input (configurable) 12v trigger output control system drivers additional features backlit remote control sidemount rack kit (sold separately) warranty 3 years (us/canada) sconto extra per acqusto sony-jvc videoproiettori oppo lettori blueray no permuta

Stupendo finale dynaco st150 75 w rms su 8 ohm vedi specifiche perfetto e stato ricappato e ricablato per tanti anni ancora godrete del suo suono coinvolgente e caldo. Specifications Power output: 75 watts per channel into 8? (stereo) Frequency response: 20Hz to 20kHz Total harmonic distortion: 0.25% Damping factor: 50 Input sensitivity: 1V Signal to noise ratio: 95dB Speaker load impedance: 4? to 16? Semiconductors: 24 x transistors, 2 x zener diodes, 16 x diodes, 2 x thermal sensors Dimensions: 14.5 x 13.75 x 7 inches Weight: 29lbs Description The Dynaco Stereo 150 is a two channel power amplifier employing all silicon semiconductors. They include 24 transistors, 2 zener diodes, 16 diodes, and 2 thermal sensors. The output circuitry is of the full complementary symmetry design. The entire amplifier, except for an input network, is direct coupled. It's measured distortion levels approach the threshold of much laboratory test equipment, not only at the commonly specified full power ratings, but more importantly at very low power outputs as well. This is the result of circuit techniques which eliminate any discernible crossover notch at low levels, and contributes to the Stereo 150's freedom from listening fatigue. It's accurate, uncoloured sonics have been achieved on a wide variety of loudspeaker loads, including electrostatics and multiple drivers with complex crossovers. The design of a very fine power amplifier implies the necessity of several protection techniques for the amplifier, and for the speaker load. In addition to the AC line fuse, four separate B+ fuses are supplied. Electronic volt-amp limiting ensures safe operation of the output transistors, and a thermal sensor mounted directly on each output stage reduces the input if high temperature

offro FC-331 Kramer 3G HD-SDI to HDMI video convertitore Usato euro 90 FC 331 Kramer Convertitore 3G HD-SDI to HDMI. FC-331 ? un convertitore di formato ad alte prestazioni per segnali fino a 3 G HD-SDI. Il formato video input (con audio incorporato) converte in un segnale di uscita HDMI. The FC?^&8217;331 is a high?^&8217;performance format converter for video signals up to 3G HD?^&8217;SDI (Level A). It converts the input video format (with embedded audio) to an HDMI output signal. The FC?^&8217;331?^&8217;MD is certified for medical applications. Brescia (BS)

Vendo Mixer 8 canali BOSS BX8 8 linee in entrata, uscita stereo, slider master volume separati numerosi effetti con controllo d'intensità, ingresso jack per line CARATTERISTICHE: -Overload Indicators: This lighrs up when the input signal level of each channel is too high -Gain Knobs: The Gain Knobs of each channel adjusts the mout gain for mixing -Treble Knobs -Bass Knobs -Effect-Send Knobs: These knobs control the level of the signals to be sent to the Effect -Headphone Level Knob: -Level Meters: These indicate the level of the output signals. -Master Faders (L, R): These sliders control the overall volume of the mixed signals separately for left and right. -Pilot Lamp: When the mixer is turned on. this lamp lights up -Power Switch: -Output level Selector Switch: This switch selects output level ot the signal sent from the Output Jacks. At the "+4" position. the rated output level (the output level when the Level -Effect1 Return Knobs: This knob controls the Mixing level of the signal returned -Effect2 Return Knobs: -Send Jack: -Headphone Jack: -Input Jacks: -Effect 1 Send Jack: -Effect 2 Send Jack: -Effect 1 Return Jack: -Output Pin Jacks: -Output Jacks (L&R): Alimentatore su richiesta (venduto separatamente)

Come da oggetto: AMPLIFICATORE per Basso MARSHALL BASS STATE B150: Potenza: 150Watt RMS Amplificazione: Solid State e Valvolare [ECC83] Altoparlante: 15'' Controlli: Gain, Bass, Treble, Blend, Volume, Compression Switch: Deep & Bright, Pre Valvolare/Pre Solid State, SLS [Switchable Limiter System], Earth Lift. Ingressi: Jack Attiva/Passiva, Effect Send/Return Uscite: Line OUT, D.J. Equalizzatore: 7 Bande di Frequenza Made in England Consegna: A Mano [Gratuita] con possibilità di prova oppure con Corriere [Spese non Incluse], con invio di video dimostrativo. Grazie alla sua dotazione può spaziare tra sonorità che vanno dal Funk al Rock/Hard Rock più deciso, POP ed il Blues. Ha un suono veramente bello, il settaggio individuale delle singole frequenze dell'equalizzatore, spazia da tonalità calde a taglienti, da aperte a ovattate. Per qualsiasi Info, foto non esitate a contattarmi. Recensione su ULTIMATE GUITAR.COM: Sound: 10 Overall Impression: 10 Reliability & Durability: 10 Features: 8 Users' score: 8.1 The input blend control allows you to select totally solid state performance, for sharper more percussive bass styles or introduces a single ECC83 pre-amp valve to add extra warmth and a softer feel to the bass.

The Yamaha AX Series 15" bass reflex subwoofer, complements the AX10, AX12, and AX15. Features include robust carpet covering, metal grilles and handles, pole mount socket. Frequency response covers the low bass range from 50Hz up to 200Hz, with 1000W peak power handling to move lots of air, enough to get your trouser legs flapping in the breeze. Caratteristiche Bass reflex enclosure. 15" speaker. 35mm pole mount socket. Frequency Response 50Hz-200Hz. Power Handling: 250W Noise, 500W Program, 1000W Maximum. 8 ohm nominal impedance. 97dB SPL 1W 1 meter. Input Connectors: 2 1/4" phone jack, 2 Neutrik Speakon NL4MP. Dimensions (W x H x D): 485 x 618 x 505. Weight: 26.5kg. Made in USA

Satellite finder Misuratore di Segnale Analogico per Direct TV SAT Accord Mini satellite finder Misuratore di Segnale Analogico per Direct TV SAT Orientamento Parabola Strumento di grande precisione per l'orientamento della parabola e la ricezione del segnale televisivo migliore Si tratta di un satfinder (trovatore di satelliti) controllato da un microprocessore ad alta tecnologia, che lo rende molto affidabile ed accurato La forza del segnale è presentata graficamente sul display LCD retro-illuminato. Ã^ molto sensibile e può individuare il più debole dei segnali. Frequenza 950-2150Mhz Looking for a same functional and performance with SF-9502, the price is much lower satellite finder ? Then this is your ideal stuff. Band 22K and H / V indicator is to satellite finder weapon, With their installation stars it becomes easy Features: Online IF signal strength meter excellent sensitivity, DC can pass to LNB and internal light, Built 0/22KHz 13/18V LED and buzzer Elegant appearance, easy to carry Input Frequency: 950-2150MHz / Supply voltage: 13-18V DC Maximum input level: -10dBm Minimum input level: -40dBm Learn ABC Communications Satellite Finder SF-95 to use 1, the satellite finder satellite receiver connected to the LNB on the antenna between. 2, adjusting satellite finder on the front panel knob, pointer on the dial "5" position. 3, adjusting the antenna azimuth and elevation, while satellite finder to the maximum angle of deflection of the pointer, the front panel adjustment knob counterclockwise, so that the part of the received signal attenuation, and then adjust the antenna azimuth, elevation and the LNB polarization angle, until the satellite finder until the pointer is no longer increasing. 4, with the satellite receiver determines whether the signal is the desired satellite signal. If it is, remove the finder device, the receiver can be connected with the LNB again; if the received signal is not the desired satellite signal, repeat the above work. Common phenomenon 1 - satellite finder pointer refers to the maximum point, but there is no signal. Because satellite finder signal received by the antenna direction only preliminary judge whether there is a star, rather than the desired signal is directly displayed on the satellite finder on the dial, it's just looking out signals an auxiliary device. 2 - In the case where the antenna is not adjusted, the pointer always refers to the maximum point. Check that the antenna is facing the front or the front of the building is blocked, if there is no such phenomenon exists, indicating that at this time LNB gain is too large, need to lose satellite finder signal attenuation part. Learn SF-95 satellite finder to use A cable. Instruments. TV antenna connection Operation 1 - The satellite finder side labeled "TO LNB" connected to the antenna tuner at the other side labeled "TO REC" is connected to the receiver, and the receiver and the TV turned on. 2 - receiver is turned on, the receiver out of the voltage supply 13-18V, check whether there is satellite finder lights, lights indicate satellite finder is working properly. 3 - Set the receiver in satellite data to be received. (Including local oscillator frequency, downlink frequency, symbol rate, polarization, etc.) and open to signal strength, signal quality cursor state. B finder dashboard Operation: 1 satellite finder attenuator spiral configuration, is to adjust the signal attenuation of the size of the receiver is powered, operable screw attenuator control the pointer on the scale in Table 5 grid, satellite finder will issue a faint sound, this time, a slight shake antenna near you looking for stars, satellite finder found out signal is input, the sound will increase, the pointer will also rise between cells table 8-10 scale or higher, indicating a star signal input. At this point the receiver signal quality combined with the cursor to see if what you're looking for stars. 2 satellite finder does not recognize the user to find the star signal, where there are star signal input, satellite finder always show a signal. At this time only to find out from the star receiver input signal quality parameter the cursor up to confirm. 3. Ku-band can be directly connected, C-band tune out when you need satellite finder to LNB between the string into a power splitter cable or 100 meters, in order to attenuate the signal, or satellite finder is a result of self-excited hands can not come down. 4 between the tall buildings or strong interference zone for stars, satellite finder will lead to self-excited whistle and hands can not come down. C if satellite finder signal is received and the digital machine failed to show a signal when the following situations 1 user is not looking out signals. 2 LNB polarization. Focal placement errors need to be adjusted. 3 signal is weak, turn the pointer through the bad parts is transferred between 4-5, re-adjust the antenna or LNB, the signal again increases. 4 satellite finder pointer refers to the maximum point, but there is no signal. Because satellite finder signal received by the antenna direction only preliminary judge whether there is a star, rather than the desired signal is directly displayed on the satellite finder on the dial, it's just looking out signals an auxiliary device. 5, in the case where the antenna is not adjusted, the pointer is always the maximum at the finger. Check that the antenna is facing the front or the front of the building is blocked, if there is no such phenomenon exists, indicating that at this time LNB gain is too large, need to lose satellite finder signal attenuation part

Ciao. Ti propongo un magnifico strumento della dea Musica: un compressore, espansore di dinamica (PERFETTO) della Threshold. The DBX 119 was developed for audiophiles and professional sound engineers who need a greater compression range and the capability of expanding or compressing above a pre-set threshold. The DBX 119 can re-expand the limited dynamics of tapes, records and FM broadcasts and bring your music back towards it is original dynamics. The 119 is easily connected to your receiver or integrated amplifier/preampliifer. Specifications; Compression & expansion: continuous from 1.4 compression slope (14 dB output change/20 dB input change) to 2.0 expansion slope (20 dB output change/10 dB input change) - Dynamic range: 120dB input or output - Input noise: -110 dBm typical, -100 dBm maximum - Input level: maximum input signal in excess of 30 Volts RMS - Input impedance: 50K ohms - Output level: maximum output 10 Volts RMS open circuit; +17 dBm into 600 ohms - Output impedance: 500 ohms - Distortion: 0.5% maximum 20 Hz, 0.2% typical above 50 Hz for complete cycle of compression and expansion; 1.2% 20 Hz for 2:1 expansion;.05% typical 1 KHz and above for any setting of controls (3 Volts RMS or less input or output.) - Frequency response: +0, -1dB 20 Hz to 20 KHz - Attack time: 50 dB/m Sec maximum initial attack rate 1.4 expansion. 12 mSec to 65% of final value any setting of compression or expansion. Adjusted to be within integrating time of human ear within the constraints of reasonable low frequency distortion. - Release (decay) time: constant rate 140 dB/sec (norm) or 50 dB/sec (slow) 1.4 expansion - Level match control: unity gain point may be varied from 100 mV to 1 Volt - Power consumption: 115 VAC 50-60 Hz 2 Watts - Dimensions: 3 3/4 x 5 1/4 x 9 inches - Weight: 4.5 lbs. Provvisto di manuale, spedisco con corriere a costi modici. Grazie per l attenzione, buona vita a te. Andrea

Roland Rubix22 Interfaccia Audio USB Interfaccia ad Alta Risoluzione 2-IN/2-OUT, per MAC, PC e IPAD Rubix22 ha un suono pulito e dettagliato, con preamplificatori microfonici trasparenti a basso rumore, e supporta risoluzioni audio sino a 24-bit/192kHz. È costruita in robusto metallo, e molti sforzi sono stati dedicati al suo design compatto, a basso rumore. I due preamplificatori microfonici della Rubix22 sono stati progettati per garantire basso rumore e alta definizione. Suonano puliti e trasparenti, con una grande riserva dinamica per catturare tutto l'impatto e il dettaglio di ogni vostra registrazione. E le flessibili prese combo vi permettono di collegare un'ampia varietà di sorgenti senza la necessità di adattatori o di cavi speciali. Rubix22 è ultra-portatile e ultra-flessibile. Ha driver a bassa latenza class compliant (non richiede driver aggiuntivi) per Mac e PC, perciò offre un funzionamento semplice con prestazioni audio affidabili e senza inconvenienti. Supporta anche gli iPad, per costruire un sistema estremamente compatto per la registrazione sul posto, la produzione in movimento, o le performance live. Include anche Ableton Live Lite, un potente software per la produzione in studio e le live performance che funziona perfettamente con Rubix22, già un istante dopo averla estratta dall'imballo. Interfaccia audio USB 2-in/2-out 2 preamplificatori microfonici a basso rumore con prese XLR combo Ingresso Hi-Z per la chitarra e altre sorgenti ad alta impedenza Porte MIDI In/Out Elevata schermatura, design a basso rumore Costruzione metallica, robusta e compatta Grandi indicatori facili da leggere mostrano le informazioni vitali Bassa latenza, driver class compliant Ground lift per il funzionamento più silenzioso in una varietà di installazioni Include Ableton Live Lite Specifiche System Number of Audio Record/Playback Channels Record: 2 channels Playback: 2 channels Signal Processing PC interface: 24 bits AD/DA conversion: 24 bits Sampling Frequency AD/DA conversion: 44.1 kHz, 48 kHz, 96 kHz, 192 kHz Interface Hi-Speed USB MIDI IN, OUT Connectors INPUT (1L, 2R) connectors: XLR type (balanced, phantom power: +48 V, 6 mA Max *1) INPUT (1L, 2R) jacks *2: 1/4-inch TRS phone type (balanced) PHONES jack: Stereo 1/4-inch phone type OUTPUT (1L, 2R) jacks: 1/4-inch TRS phone type (impedance balanced) MIDI (IN, OUT) connectors USB port: USB Type B DC 5V port: USB Type micro B *1 Current value per channel. *2 INPUT 1L supports high impedance Controllers SENS 1L, 2R knobs Hi-Z switch 48V switch OUTPUT knob PHONES knob POWER SOURCE switch DIRECT MONITOR switch GROUND LIFT switch Indicator Level indicators (1L, 2R) POWER indicator Hi-Z indicator 48V indicator Caratteristiche Nominal Input Level INPUT (1L, 2R) connectors (XLR type): -60- -12 dBu INPUT (1L, 2R) jacks (1/4-inch TRS phone type): -44-+4 dBu Maximum Input Level INPUT (1L, 2R) connectors (XLR type): +2 dBu INPUT (1L, 2R) jacks (1/4-inch TRS phone type): +18 dBu Nominal Output Level OUTPUT (1L, 2R) jacks: -6 dBu (impedance balanced) Maximum Output Level OUTPUT (1L, 2R) jacks: +8 dBu (impedance balanced) PHONES Maximum Output Power 20 mW + 20 mW (L + R, 47 ohms load) Headroom: 14 dB Input Impedance INPUT (1L, 2R) connectors (XLR type): 4 k ohms or greater (balanced) INPUT (1L, 2R) jacks (1/4-inch TRS phone type): 15 k ohms or greater (balanced) INPUT (1L) jack (1/4-inch phone type *3): 500 k ohms or greater *3 When the Hi-Z is turned on Output Impedance OUTPUT (1L, 2R) jacks: 2 k ohms (balanced) PHONES jack: 47 ohms Residual Noise Level INPUT (1L, 2R) -> OUTPUT (1L, 2R): -94 dBu typ. (SENS 1L, SENS 2R knobs: min., input terminated with 600 ohms, IHF-A, typ.) Dynamic Range AD block INPUT (1L, 2R) jacks: 104 dB typ. (SENS 1L, SENS 2R knobs: min.) DA block OUTPUT (1L, 2R) jacks: 109 dB typ. Altro Power Supply Supplied from the computer via USB, DC 5V Current Draw500 mA Operating System Microsoft(R) Windows(R) 7, Windows(R) 8, Windows(R) 8.1, Windows(R) 10 Apple Mac OS X 10.10 or later Apple iOS 9 or later Dimensioni: 145 (W) x 165 (D) x 46 (H) mm Peso: 1.0 kg Accssori: Setup Guide Leaflet "USING THE UNIT SAFELY" USB cable Ableton Live Lite Serial Number Card * 0 dBu = 0.775 Vrms

H.H Scott LK-72 Amplificatore valvolare vintage in perfetto stato, se vende con le valvole originale SCOTT al 90% fabbricante la General Electric, amplificatore costruito nei anni 60 per la dita Scott Company Americana, qualita garantita come amplificatore HI-FI. si caratterizza per la sua armonia e qualita del audio, concorrente ad amplificatore come Mctouch, utilizza la stessa configurazione e valvole. Si ha fatto una assistenza tecnica molto rigorosa, sostituiti i suoi condensatori che per usura dal tempo non rendeva il livello tecnico, compresso il analisi in banco di prova della sua qualita di risposta in frequenza con dei strumenti che ci permettono venderlo con sei (6) messi di garanzia. Qualsie se domanda non essitare a chiedere piacere da rispondere le Vostre domande. Dentro del territorio Italiano il trasporto è a carico nostro. VINTAGE AMPLIFIER HI-FI VALVULAR AMPLIFIER. FULLY RESTORED, FULL RECAPPING EXCELLENT ELECTRONIC CONDITION. warranty the audio quality PUSH-PULL AMPLIFIER WITH ORIGINALS TUBES SCOTT. Vintage, amplifier push-pull with 7591 (four tubes) H.H. SCOTT LK-72 A restoration was carried out verifying all its mechanical and electronic elements, the pass capacitors were replaced guaranteeing an excellent quality audio HI-FI. The power output uses tubes 7591 (four-unit push-pull), Second Audio and Stage phase splitter 6U8 / 6GH8 (two tubes), pre-amplifier to phone, and aux input 12AX7, two tubes for PHONO preamplifier, and two tubes for aux preamplifier input, all tubes are including too. The restored circuit also uses especially resistors on carbon, and the oil-paper capacitor is selected and of high quality, for this reason, is possible to warranty low noise without parasitic noises, including your copy manual and electronics diagram. warranty 1 year for bad work. The amplifier is sold tested for the 7591 - Preamplifier to phone is including with RIIA and NAB filter, RUMBLE FILTER too, tape monitor, is possible the interconnection with your magnetic or ceramic head to phone. - It's including two (2) external signal input hi-level with RCA connectors, in this input, it's possible to connect the CD OR ANOTHER DECK for example. - External speaker is possible to connect with 16 - 8 and 4 ohms. including the control for rev stereo mono or single-channel selector. separate control for treble and Bass, loudness control to all the commands work in good condition. FIRST TO BUY THE AMPLIFIER, PLEASE SEND THE ZIP CODE FOR CALCULATED THE SHIPPING COST. THE SHIPPING COST IS NOT INCLUDING OUT TO ITALY, THE PACKING IS FOR 15 KG AND INSURANCE, THE SIZE BOX REQUEST IS 55 X 50 X 40 CM Weight 22 kg. Any question. It's a possibility to request

Amplificatore High end, in ottimo stato, con telecommando, suono impeccabile! 150 W (4 Ohm)! Comprende anche la funzione DAC ! (vedi foto) Preferisco ritiro a MONTEBELLUNA / TREVISO! Non chiedere sconti per e-mail! The technology from our best hi-fi amplifiers and a high quality DAC. The Cyrus 8 XPd incorporates a high power integrated amplifier and advanced digital to analogue converter to provide a great sounding, versatile hi-fi amplifier. Using our best hi-fi amplifying technology, you will benefit from 70 watts per channel, with multi-zoning capacities allowing you to listen to different sources in different areas of your home. The Cyrus 8 XPd is a good foundation for a hi-fi system, and can be connected to up to five digital sources including CD player, computer, TV or satellite box. The advanced digital to analogue converter is compatible with the latest high resolution 24-bit music files. The Cyrus 8 XPd is one of our best hi-fi amplifiers because of the work put into making sure the components and circuitry used produce the trademark sound quality we demand from all of our products. The powerful on-board software system allows the customization of many features including individual input sensitivity matching and multiple display modes. As one of our best hi-fi amplifiers, the Cyrus 8 XPd is a great partner for the high performance CD t or Stream X2. Connecting a PSX-R upgrades the sound produced by putting less strain on the amplifier's internal power supply. When you get the hi-fi itch, you can upgrade your Cyrus 8 XPd to a Cyrus 8 XPd Qx which uses a more advanced digital to analogue converter. Technical Information Inputs - 6 analogue, 2 electrical SPDIF, 2 optical SPDIF, 1 USB (computer slave input) Sample rate compatibility - digital input: 24-bit/192 kHz; USB: 16-bit/48 kHz Outputs - Zone 2, preamp out, headphone, bi-wire loudspeakers Power Supply - 350VA transformer Power output - 150W per channel into 4 ohms; 70W per channel into 8 Ohns.

Switcher HDMI professionale MARANTZ VS3002, perfettamente funzionante, in ottimo stato, comprensivo di imballo originale, telecomando, cavi di alimentazione, vendo per cambio attrezzatura (il prezzo è un affare). - 2 out per collegare 2 tv, monitor, videoproiettori. - 6 entrate per collegare altrettanti apparecchi HDMI. Ottimo anche per moltiplicare poche entrate HDMI su ampli e tv. Su richiesta posso spedire con corriere espresso. 6 inputs / 2 output HDMI ver 1.3b selector High reliability to pass through switching of HDMI TMDS signal Supports video resolutions up to 1080p, 60Hz,12bit or 720p/1080i, 120Hz,12-bit color depth Automatic Input Switching Select output signal emphasis to connected cable characteristic Dimensions & Weight Width 17.3 in Depth 13.4 in Height 3.1 in Weight 7.05 lbs The number of source products and displays with HDMI in- and outputs are rapidly increasing which requires more and more products that can handle these digital connections. Not having enough HDMI inputs automatically limits you in using these digital connections. Thatâ€(TM)s were the VS3002 steps in. The VS3002 is designed to connect up to 6 HDMI sources and route them to a single HDMI output connected to an output source like a LCD-screen or projector for instance. To prevent having to switch the output cable, the VS3002 is equipped with 2 HDMI outputs. The VS3002 is equipped with an onboard signal equalizer which corrects the signal that it receives from the source products as it may become duller by the characteristic of the HDMI cable connected between the two products and/or the cable length. The equalizer function re-shapes the signal and outputs a high-quality HDMI signal. VS3002 is fully HDCP compliant and can be controlled by the front panel, enclosed IR remote, RS-232 or automatically, by linking it to an A/V receiver. Controlling is even easier by linking it via the D-bus input to a Marantz receiver. * High reliability to pass through switching of HDMI TMDS signal * 6 inputs / 2 output HDMI ver1.3b selector * Supports video resolutions up to 1080p, 60Hz,12bit or 720p/1080i, 120Hz,12-bit color depth * 2.25GHz video bandwidth for Deep Color * Automatic Input Switching * Select output signal emphasis to connected cable characteristic * IR I/O and RS-232 for Flexible Control * Heavy-Duty All-Metal Construction * World wide power supply voltage (100-240 V) * Automatic IR-command function for marantz AVR and VP * Link to Marantz SR or VP products by RC5

Multieffetto rack per chitarra / preamp boss gx700 racchiude in un unico rack tutti gli effetti della serie boss molto caldo e versatile prezzo 200 euro trattabili scheda tecnica boss gx700 guitar effects processor/preamp published in sos june 1996 printer-friendly version • noise gate: with user control of threshold setting. • compressor: with variable attack and release characteristics, plus control over sustain and tone. in common with all the other effects blocks, this also has a level parameter. • wah: this classic effect is familiar to guitarists everywhere, and can be recreated quite convincingly with the gx700, either under lfo or pedal control. the resonance of the wah effect can be varied, as can the frequency range over which the effect sweeps. • distortion: i suspect this section is based around the concepts used in the boss analogue pedals. the choices available include vintage od, turbo od, blues, distortion, turbo distortion, metal and fuzz. in addition to an adjustable drive level, the distortion settings also have a basic 2-band bass/treble equaliser. • preamp: this is where cosm modelling comes into play, because here you can select from several amplifier characteristics, including jc120, clean twin, match drive, big lead, ms1959 (i), ms1959 (ii), ms1959 (i+ii), sldn lead and metal 5150. the available controls include the usual bass, middle, treble and presence, as well as the volume/master volume method of setting the amount of amp distortion, and a 'bright' switch. a gain parameter is also included, which affects the distortion amount. • loop: this isn't an effect at all, but rather a means of switching in an external effect or processor. the loop function connects via the rear panel jacks, and has adjustments for both send and return levels, which is a sensible inclusion. • 3-band eq: despite the fact that the overdrive section and the preamplifier both have tone controls, there's also a 3-band equaliser with a fully parametric mid section. • speaker simulator: this again offers several choices: small, middle, jc-120, built-in 1-4, big stack 1-2, ms stack 1-2 and metal stack. there are also three possible virtual mic settings, for close miking and more distant miking, and separate level controls are provided for the mic level and the direct level. • noise suppressor: this comes at the end of the amplifier chain, but before the effects. however, because the effects can be connected in any order, it can be used elsewhere if you have a reason for doing so. personally, i'd be inclined to use it after the modulation effects (for anything that doesn't involve level modulation, such as panning or vibrato), but before any delay or reverb effects. as far as the user parameters go, these are really down to threshold and release time, though you can also choose to key the gate from either the noise reduction block's own input or from the guitar input jack.

Audio Mic: 1/4” (6.35 mm) jack microphone input Aux: 1/8” (3.5 mm) stereo line input Integrated built-in audio interface Resolution 16 to 24-bit, from 44.1 to 96 kHz Audio standards: - ASIO + WDM in Windows® - Core Audio in Mac OS® Master 1-2: 2 RCA + 1/8” (3.5 mm) stereo mini-jack Booth 1-2: 2 RCA Headphones: 1/4” (6.35 mm) stereo jack + 1/8” (3.5 mm) stereo mini-jack Controls Per Deck AIR Control: a proximity sensor lets you control the mix without any contact - AIR Control turns the distance between your hand and the sensor into a modulation of the low-pass filter - You control the low-pass filter without any contact, and your movements create incredible sound effects like Filter Push, Filter Cut and Filter Roll - The sensor’s 12” / 30 cm range gives your hand movements an almost magical quality for your audience 2 decks 1 central mixer 2 jog wheels: - 5.9” / 15 cm in diameter, rivaling those found on DJ CD players - During playback: 2 rings = 2 pieces of information - The rotation speed of the blue ring shows the playback speed - The position of the white ring shows the position reached in the track - When scratching: the display shows an angular marker - Jog wheels feature instant touch detection to SCRATCH with precision and without any latency - A refined style: each jog wheel features an aluminum platter, and a built-in display screen 4 modes (Loop/Fx/Sample/Hot Cue) per deck 4 pads (drum pads) per deck: - Multicolored lighting (red, green and blue) - The pads’ lighting features a different color in Sample mode and Cue Point mode - RGB Cue Color Match: in Cue Point mode, each pad lights up in the default color of the cue point that it controls in Serato DJ Lite for perfect integration of the hardware with the software, and instinctive control Controls On Mixer 3-band equalization with potentiometers (bass, mids, treble) 1 volume fader per deck 1 crossfader Controls MIDI (extended MIDI on the faders and potentiometers) HID

Vendo Testata SWR ST-220, usata poco, ottime condizioni estetiche e funzionali. La testata è stata acquistata nuova da me, sempre usata con estrema cura e conservata in luogo sanissimo. Cambio a milncuore e solo per passaggio a altro set. Disponibile per qualsiasi prova. Consegna a mano o spedizione (a carico dell'acquirente). Massima serietà. Se interessati possibilità di abbinare cassa HARTKE 4.5XL 4x10 anch'essa in vendita separatamente. Invio foto a interessti. NON MI INTERESSANO SCAMBI. Info tecniche dal sito SWR: "The Studio 220 Bass Amplifier was designed from the ground up for specifically amplifying all bass instruments, Its features, sound, packaging and performance specifications are the result of numerous years of input from musicians, sound engineers and studio engineers. It is the pgraded version of out first product, the PB-200. A great deal of time was spent to insure that the needs of the professional musician both on the stage and in the studio were met and that all elements of their music will be accura tely amplified. Housed in an all aluminum chassis for lightweight and lasting beauty is an extremely low noise tube preamp section and a solid state power amp utilizing all discreet components, The power amp delivers a minimum of 220 Watts RMS into 4 ohms and 140 Watts into 8 ohms. Standard features include Hi and Low Gain input jacks, Gain and Master Volume controls, 4 band/3 octave Variable Graphic Equalizer, two Effects Loops, Balanced Out with pad and ground lift, and an adjustable electronic Crossover for Bi-Amp capabilities. The Studio 220 is rack mountable taking up two rack spaces (3 1/2") by 8 3/4 " deep (measured from the front panel back). The Studio 220 weighs 13.5 pounds with a 17 pound shipping weight. It is easily carried and the front panel is protected by the two handles secured to the front panel. All of us at SWR hope you enjoy your amplifier and find it all you have ever wanted in an amplifier of this type."

Vendo in perfette condizioni estetiche e funzionali con la relativa scatola. Boss HF-2 HiBand Flanger The HF-2 is combining the original signal with a delayed signal that is shifted one octave up to create a flanging effect a bit different but still similar to the BF-2. The effect is brighter and cleaner than the BF-2. The HF-2 may not be as powerful as the BF-2, but for hi frequency flanging it produces a very good result. Production of the HF-2 moved from Japan to Taiwan mid 1989. Specifications Controls: Manual, Depth, Rate, Res Connectors: Input, Output, AC Adaptor Current Draw: 15 mA (DC 9V) Weight: 400 g (14 oz.) Input Impedance: 470 kOhm Residual Noise Level: -95dBu (IHF-A) Recommended Load Impedance: 10kOhm or greater Delay Time: 0.5 ms ~ 6.5 ms LFO Speed: 100 ms ~ 16 s Recommended AC Adaptor: ACA Series

Vendo scheda audio Apogee Duet 2, compatibile con i sistemi Mac OS, IPad IOS e Windows. La qualità dei convertitori Apogee è famosa in tutto il mondo e la scheda audio Duet 2 ne è la conferma pur essendo portatile e compatta. Il suono catturato restituisce un alto livello di professionalità. La scheda è stata usata pochissimo ed è in ottime condizioni. Comprensiva di scatola originale, manuale e tutti gli accessori in dotazione sono presenti. Apogee è sinonimo di qualità! Di seguito le caratteristiche tecniche: - USB 2.0 audio interface for Mac, PC or iOS - 2 analog inputs: Combination Line (balanced +20dBu max) Mic/Instrument (+20dBu/+14dBu max) 2 Microphone preamps with up to 75dB of gain Selectable 48v phantom power, Soft Limit and phase invert - 4 analog outputs: 2 Balanced line outputs, +20 dBu maximum output level 1 Independent 1/4" stereo headphone output - A/D and D/A conversion at 24-bit/192kHz - MIDI connection (Core MIDI compatible; USB-A type connector) - Controller knob selects function, sets input and output level - Top panel high resolution OLED display - Two assignable top panel touch pads to control: - Apogee's Maestro app (included in Mac and PC installer) for advanced control, Available for free from the App store, if connecting to iOS (cable sold separately) - Mic Pre: EIN: 128dB (un-weighted) @ 60dB, 150Ohm input Max input level: +20dBu Input impedance: 3KOhm - Hi-Z: Max input level 14 dBu Input impedance: >2MOhm - A/D conversion: Max input level (+4dBu ref): +20dBu Max input level (-10dBV ref): +6dBV Input impedance: 5KOhm Freq resp 20 Hz -20Khz: > +/-0 Il prezzo è comprensivo di spedizione. Assolutamente NO PERMUTE!

Vendo causa inutilizzo: Enttec ODE MKII, interfaccia ethernet/dmx. Nuovo. Mai utilizzato. L'oggetto è perfetto, mai stato utilizzato, solo provato una volta in casa. Caratteristiche tecniche, come dichiarate dal produttore: - Easy web page configuration - Web-based configuration. Use your favorite browser, and click a few buttons and you are done. - Multiple protocols support - Supports Art-Net 1/2/3, Streaming ACN sACN, and ESP. Use whichever you prefer, simply change the protocol using the web configuration. Ready to connect - ODE Mk2 is factory set to use DHCP IP addressing. Simply connect to your existing router, and any supported software will find it. Flexible options - Supports either LTP or HTP Merging (upto 2 sources). Either enable or disable merging, to suit your needs. RDM over Art-Net - Supports RDM Over Art-Net (controller). When enabled, all RDM fixtures connected to the ODE, can be configured using any RDM over Art-net software. Input or Output - Choose from Input mode (receives DMX, and sends over Ethernet), or Output mode (sends DMX). Input mode supports options for broadcast or unicast. Contattatemi per qualunque ulteriore informazione e fotografie dettagliate. Cell: 3774761956

Connectable to the third-party network cameras Up to 16 IP cameras can be connected Recording at up to 8 MP resolution Supports live view, storage, and playback of the connected camera at up to 8 MP resolution HDMI Video output at up to 4K (3840 × 2160) resolution H.265+ compression effectively reduces the storage space and costs by up to 75% 1 SATA interface connectable for recording and backup 1 self-adaptive 10/100/1000 Mbps network interface Hik-Connect for easy network management Video/Audio input IP video input 16-ch Two-way audio input 1-ch, RCA (2.0 Vp-p, 1kO)

Acceleratore per effetti video in tempo reale e I/O HD-SDI a 10-bit. L'hardware Avid Adrenaline unitamente alla scheda Avid DNxcel offre I/O HD-SDI a 10-bit da e verso i deck e le videocamere HDCAM, DVCPRO HD e D5. Esegui l'editing HD multistream con effetti in tempo reale visualizzabili su monitor HD, risparmia tempo con la conversione in SD in tempo reale e l'output HD e SD simultaneo. Avvantaggiati della tecnologia di encoding di Avid DNxHD per eseguire qualsiasi operazione, dall'editing HD offline alla proiezione dei giornalieri HD. Funziona con i seguenti software avid: Avid Xpress Pro, Avid Media Composer (2-5.5.4), Avid 3D, Avid FX, Avid NewsCutter XP e Avid Pro Tools LE. Avid Adrenaline con Dnxcel HD CARATTERISTICHE: Avid Adrenaline A/V Break-Out Box 10-bit SMPTE 259M SDI serial digital I/O Component YPbPr, S-Video, and composite I/O DV I/O with real-time analogue-to-DV and DV-to-analogue conversion Uncompressed PAL and NTSC ITU-R-601 formats Sync reference input Serial deck control and 1394 deck control Audio I/O 48 kHz, 44.1 kHz, and 32 kHz (hardware supports up to 96 kHz) 16 or 24-bit resolution 8 channels ADAT audio I/O or stereo Toslink optical S/PDIF 4 channels AES/EBU digital audio I/O 4 channels RCA analog audio inputs 4 channels XLR analog audio inputs Separate stereo monitor output HD freedom begins with the high-performance Avid DNxcel Board: a single, easy-to-install component that slides into the Avid Adrenaline hardware's HD expansion slot. This is included in this sale. Engineered for today's multi-resolution, multi-format post-production workflows, the Avid DNxcel Board is packed with professional-grade components and media processing horsepower. Turn your Media Composer Adrenaline HD or NewsCutter Adrenaline system into a high-throughput HD workstation. Why add the Avid DNxcel Board? HD Flexibility Capture and output HD via industry-standard HD-SDI input/output for connecting to HDCAM, DVCPRO HD, D5, and other popular decks and cameras Real-time multi-stream HD editing with real-time effects viewable on an HD monitor Full complement of connectors plus tri-level sync HD Quality Hardware encoding of the only HD encoding technology specifically designed for post production: Avid DNxHD Supported resolutions include: 1080i 59.94, 50 fps; 1080p at 25, 24, 23.976 fps; 720p at 59.94, 23.976 fps Avid DNxHD encoding provides mastering-quality HD media with the storage and bandwidth footprint of uncompressed SD media HD Efficiency Full 10-bit HD hardware with choice of 10-bit and 8-bit Avid DNxHD encoding settings Real-time SD downconvert Simultaneous output of HD and SD masters

COPPIA DI CASSE DAP-Audio DLM-12A NUOVE ! SPEDIZIONE 20,00 EURO 339 4276961 The DLM series is our new solution for all entertainers who need a very lightweight and compact speaker system which is very rugged and roadproof. Due to the efficient Class-D power amplifier and build-in DSP protection system, it is almost impossible to deform your sound when normally used. High-end components, including a CELESTION high-driver, give lots of sound pressure and a very high detailed sound. If you want to have a more personalized sound, this is no problem for the DLM. Just add the optional USB control module and now it is possible to adjust the Gain, Equalizer, Low- & High-pass filter by simply using the interface on your laptop Specifications System: 2-way Active Speaker system Coverage: 90° conical Transducer: 12" Woofer, 2.5" voice coil Driver: 1" Exit Compression CELESTION Driver, 1.75" Voice Coil Active Crossover 1.85kHz-DSP Processed with 24dB slope Digital Presets: NORMAL / USER Frequency response: 45Hz-20kHz (-10dB) Max SPL 1m: 128dB Power Amp: High power 500W Low + 500W High Input 1: (MIC/Line) with Combo XLR/Jack Input 2: Combo XLR/Jack and RCA Mix Output: Male XLR balanced USB Control (optional): Gain/EQ/ Trim / high pass filter,and low pass filter and bandpass filter External Control: Volume Control Phase Switch Power ON Clip Limiter USB PORT for optional USB control Electric Protection: Thermal/Convection-Fan/Overload/Digital Lim./Compressor Handling: One standard 35mm metal pole-mount plus one handle on top Enclosure: 15mm poplar plywood cabinet & ABS High-strength top and bottom protectors Dimensions (HxWxD): 414x388x365mm Weight: 18,7Kg

Strumento in ottime condizioni, perfettamente funzionante. Edizione successiva al più famoso PSS-50, che dispone in più il controllo midi e l'aggiunta di rom e ram card con ulteriori suoni. The Korg PSS60 Programmable Super section was released in 1988 and was intended for use by songwriters and home recording for song sketching and accompaniment. It offers 3 available sections with drums, bass and chord accompaniment Ready to jam. Input your chords and select a style and start jamming. The PSS60 has 70 preset patterns and 50 user patterns as well as 10 songs. One song can hold up to 9,703 notes. Patterns can be arranged using the pattern arrangement function..An on board Mic/Line input allows for connecting a microphone or line level instrument for further expansion possibilities. The unit can be expanded by adding Rom and Ram cards. The unit can be controlled remotely with a foot switch option and it also has a 20 x 2 character backlit LCD.

Description 1. Patent dial-type focusing lens. Abandoned the original rough way of fwisting the lens to be focused. 2. Abandoned the traditional old way to remove dust. Just need 5 minutes with simple tools to make you resolve your dust problem easily. 3. Light and portable, easy to take. 4. Support input Resolution 1080p (MAX). Super sudio and vidieo decoding. 5. High efficiency, simple, easy to operate it. 6. The super bright LED lighting system projects a brilliant image onto your wall at 500:1 contrast ratio. 7. System: Multimedia system. 8. Input Terminal: AV USB TF HDMI. 9. Can use with 1500mAh lithium battery (not included). Package Contents1 x Projector1 x AC Power Cable1 x Remote Control1 x AV CableSize117.5*83.6*43.5mmModelC18Weight230gMaterialPlasticSupport Resolution1080PAspect Ratio16:94:3Contrast Ratio500:1Image Color16.7KProjection Distance0.5 - 2.5mImage Size16 - 60 inchBatteryLi-ion Battery (not included)Power SupplyDC 12VInterfaces(I/O)1 x HDMI Port1 x TF Card Slot1 x Earphone Out Port

TEAC AI301DA - Amplificatore DAC.  Silver. Compatto, con ingresso USB e pienamente compatibile con ad alta risoluzione DSD Capace di elaborare segnali 5.6MHz DSD riproduzione nativa. L'impianto ingresso USB permette DSD riproduzione nativa che converte 5.6MHz DSD file direttamente in segnali analogici senza bisogno prima di convertirlo in PCM. Supporta sia la ASIO2.1 e direttore della fotografia (DSD su PCM) metodi di conversione. Usando l'AI-301DA in collaborazione con il TEAC HR Audio Player ad alta risoluzione software del computer di riproduzione, chiunque può facilmente esplorare il mondo di alta rez audio digitale, tra cui 5.6MHz DSD o 32bit / 192 kHz file PCM, senza fatica a devono capire impostazioni complesse ecc. Caratteristiche ALC0180 Class-D Power Amplifier by ABLETEC, Norway 90W/ch of output power (at 4 ohms impedance) Supports up to 24bit/192kHz USB Audio input Supports up to 24bit/192kHz Coaxial S/PDIF digital audio input Supports up to 24bit/96kHz Optical S/PDIF digital audio input Internal 32bit processing on the BurrBrown PCM5102 D/A Converter Toroidal-core Power Transformer Schottky Barrier diodes for power supply circuits Full-metal body Dual analog level meters with dimmable backlight Headphone amplifier that employs two operational amplifiers 1 USB Audio input 2 Optical S/PIDF digital inputs 1 Coaxial S/PDIF digital input 2 RCA analog line inputs Screw-type speaker terminals (AWG8 compatible) Headphone out Aluminum-weighted volume knob Remote control 3-polar AC socket with a detachable AC cable Profondità: 215 mm, altezza: 61 mm, larghezza: 215 mm Peso: 2,1 Kg

DVB Streaming input (Tuners): The QBox Mini has two different and independent DVB Tuner slots where users can mount Plug ‘n Play tuners module. DVB-S2, DVB-T and DVB-C can be installed. Please check the sales configuration before purchasing. Multiple LNB-Switching control (supports DiSEqC) is also included. Inputs/Outputs:. 2 x USB 2.0 input. 2 x Smartcard Readers. 1 x RS-232 Interface. 1 x 2,0 inches TFT Display 16364 colors Video Inputs/Outputs:. 2 x Scart (RGB, FBAS or S-Video). 1 x Component (3 RCA - 1 x Video 2 x Audiol R/L). 1 x HDMI Output. 1 x S/PDIF Interface for digital bit stream out (AC-3) Video Inputs/Outputs: QBox Mini has a LAN connection at 10/100Mbit via cable connection and it also may host a WLAN Module as plug-in easy to plug and play. Wi-Fi (WLAN connection) is embedding 802.11N technology at 300MBit transfer rate. Please check you retail configuration as the Wi-Fi module may be not included and considered as "optional".