Jack 635 balanced line input

Marchio: Audiophony Categoria: Mixer analogici 4 channel mixer, 2 microphones, 2 stereo, 1 aux and USB port 2 x microphone inputs via XLR plugs 2 x 6.35 mm jack balanced line input 2 x unbalanced stereo inputs on RCA and 3.5 mm jack 2-band equalizer on MIC/line and stereo channels Gain control for each channel AUX level setting on each channel Balanced MAIN output on 6.35 mm jack Unbalanced Record output via RCA plugs Balanced AUX output on 6.35 mm jack Monitoring output via 6.35 mm stereo jack 1 USB port for connecting a computer LED VU-meter for MAIN output

Marchio: Audiophony Categoria: Mixer analogici 6 channel mixer 4 microphones, 2 stereo, 1 aux and USB port. 4 microphone inputs via XLR plugs 4 Jack 6.35 balanced line input. 2 unbalanced stereo inputs on RCA and 3.5 jack 2-band equalizer on mic/line and stereo channels Gain control for each channel AUX level setting on each channel Balanced MAIN output on 6.35 Jack Unbalanced Record outputVia RCA plugs Balanced AUX output on 6.35 Jack Monitoring outputVia stereo Jack 6.35 1 USB port for connecting a computer LEDVu-meter for MAIN output

Mixer Proel Mi16 con effetti, come nuovo, imballo originale, perfetto. Il mixer da 16 canali offre 8 canali MIC/LINE e 4 canali STEREO/LINE che, insieme a 2 mandate monitor e al DSP PROFEX a 24bit con 256 effetti di elevata qualità, rendono questo mixer compatto in grado di essere utilizzato per mixare una band completa con suono pulito e accurato. Caratteristiche: - Tipo sistema: Compact 16-channel 2-bus mixer - Connettori di ingresso: Mic Input: Balanced XLR-F Line Input: Balanced JACK - Sensibilità ingressi: MONO INPUT CHANNEL - Mic Input: from -10 to -50 dB MONO INPUT CHANNEL - Line Input: from +20 to -40 dB STEREO INPUT CHANNEL - Line Input: +4 / -10 dB - Impedenza di ingresso: MONO INPUT CHANNEL - Mic Input: 2 Kohm MONO INPUT CHANNEL - Line Input:10 Kohm STEREO INPUT CHANNEL - Line Input: 10 Kohm - Connettori di uscita: Balanced XLR-M + JACK - Livelli uscite: Maximum level all outputs: +22 dBu - Impedenza uscita cuffia: 32 ohm - Equalizzazione canale ingresso mono: HIGH (shelving): ±15 dB @ 12KHz MID (peaking): ±15 dB @ 2.5KHz LOW (shelving): ±15 dB @ 80Hz - Equalizzazione canale ingresso stereo: HIGH (shelving): ±15 dB @ 12KHz LOW (shelving): ±15 dB @ 80Hz - Effetti: 256 (16 presets x 16 variations): HALL, ROOM, VOCAL and PLATE reverbs STEREO and MONO TAP DELAY REV + DELAY, REV + TAP DELAY, REV + CHORUS - Intermodulazione (meas. at 1 KHz): > 82 dBu - HUM & Noise unweighted:

Vendo Mixer della Proel 8 canali completo di cavi e valigetta originale. Con l'acquisto vi regalo anche 5 spinotti di conversione jack audio. Perfetto per chi ha uno studio a casa, per chi suona live o per chi - come me - fa livello streaming, questo mixer è così caratterizzato: - Tipo sistema: Mixer con effetto 8 ingressi - Alimentazione: Alimentatore 18 V - 700 mA AC dedicato incluso - Alimentazione Phantom: + 48 V su tutti gli ingressi mono - Connettori di ingresso: Mic Input Balanced XLR-F - Combo Line Input Balanced TRS Jack - Ingressi: 6 MIC - 4 Line - 2 stereo line - Sensibilità ingresso: Mic Input from 0 to -60 dB - Line Input from +20 to -40 dB - Impedenza di ingresso: Mic Input 2 Kohm Line Input 10 Kohm - Connettori di uscita: Balanced TRS Jack and / or XLR-M - Uscite: CROOM - MAIN MIX - ALT 3-4 - AUX 1 & 2 - PHONES - Equalizzazione canale ingresso mono: Lo Cut 75 Hz, 18 dB/oct. HIGH (shelving) ±15 dB at 12KHz MID (peaking) ±15 dB at 2.5KHz LOW (shelving) ±15 dB at 80Hz - Equalizzazione canale ingresso stereo: HIGH (shelving) ±15 dB at12KHz MID (peaking) ±15 dB at 2.5KHz LOW (shelving) ±15 dB at 80Hz - Effetti incorporati: HALL, ROOM, VOCAL and PLATE reverbs, MONO, STEREO and TAP DELAY, CHORUS and FLANGER, REV + DELAY, REV + CHORUS and REV + FLANGER 16 step PRESET selector 16 step VARIATION selector PEAK LED MUTE and TAP DELAY switch with LED indicator and footswitch... Essendo stato trattato benissimo vi consiglio altamente l'acquisto di questo mixer 8 canali della Proel. Rimango a disposizione per fornirvi ulteriori foto ed informazioni.

Perfettamente funzionante e seminuovo. - Compatibile con Xp Vista e Mac - Tipo sistema: Mixer 8 ingressi con effetti e porta USB - Alimentazione: Alimentatore 18 V - 700 mA AC dedicato incluso - Alimentazione Phantom: + 48 V su tutti gli ingressi mono - Connettori di ingresso: Mic Input Balanced XLR-F - Combo - Line Input Balanced TRS Jack - USB - Ingressi: 6 MIC - 4 Line - 2 stereo line - USB - Sensibilità ingresso: Mic Input from 0 to -60 dB - Line Input from +20 to -40 dB - Impedenza di ingresso: Mic Input 2 Kohm - Line Input 10 Kohm - Connettori di uscita: Balanced TRS Jack and / or XLR-M - USB - Uscite: C/ROOM - MAIN MIX - ALT 3-4 - AUX 1 & 2 - PHONES - USB - Livelli di uscita: MAIN MIX nom. out level +4 dBu - all other outputs 0 dBu - Maximum level all outputs +22 dBu - Impedenza uscita cuffia: min. impedance 32 ohm - max. out level (2x) 193 mW - Distorsione (THD+N): at +4dB, 1kHz

AMPLIFICATORE CUFFIE PER MONITORAGGIO PMS Personal Monitoring System è un amplificatore per ascolto in cuffia personale ad alta potenza, indicato per un ascolto di qualità sia in studio che nel live. E' in grado di gestire qualsiasi cuffia con impedenza da 8 a 600 Ohm; inoltre dispone di un'interessante funzionalità, molto apprezzata negli spettacoli dal vivo, ovvero consente di controllare cinque ingressi assegnabili su cinque ingressi e inviarli a monitor amplificati da palco. In questo modo, gestisce separatamente i vari segnali e consente ad ogni musicista di personalizzare il missaggio che arriva in cuffia. - 5 ingressi indipendenti bilanciati, di cui: - Aux 1,2 su XLR bilanciato - Aux3 su Jack - Main L, Main R su XLR, e Direct su Combo - Uscite bilanciate Direct su XLR posteriore e frontale su Jack per cuffia (ne può gestire agevolmente più di 4) - 4 interruttori di mute e controllo di livello sulle entrate - Trasformatore opzionale di linea Specifiche tecniche DIRECT input - non attiva MAIN, AUX1, AUX2 input - Male XLR Connectors - Type RF filtered, servo balanced input (line audio transformer optional) - Impedance 24 Kohms balanced, 12 Kohms unbalanced - Max. input level +26 dBu balanced - CMRR typ. 40 dB, >55 dB @ 1 kHz SYSTEM SPECIFICATIONS - Frequency response 10 Hz to 50 kHz, +0 - 3 dB - S/N ratio >105 dB referred to MAIN IN, max out, unweighted, 22 Hz to 22 kHz - THD 0.005 % typ. @ +4 dBu, 1 kHz, Gain 1 POWER AMPLIFIER - Max output power +22 dBu - Min output impedance 32 Ohms - Max. gain +44 dB referred to line input POWER SUPPLY - 35 VAC by dedicated adapter - Power consumption: 10 Watts

Sistema dB Technologies ES1002 SYSTEM ALL INCLUSIVE disponibili in sede nuovo con garanzia 2 anni - siamo distributori Notevolmente potente (1800 W picco) se confrontato a dimensioni contenute, questo sistema PA è progettato per operazioni di montaggio e smontaggio semplici e veloci e risponde ugualmente alle esigenze di musicisti e Dj. Il sistema ES1002 è disponibile alla vendita comprensivo di 1 cover per il top e una per il sub specifiche tecniche: Speaker TypeBI-Amped Mono Column System Dati acustici Frequency Response [-3dB]43-20.000 Hz Usable Bandwidth [-10 dB]56 - 18.000 Hz Max SPL130.7 dB MF - HF8x 4" Type MF - HFNeodymium LF2x 12" Directivity (HxV)97x40° Amplificatore Amp TechnologyDigipro® G3 Amp ClassClass-D Power Amp Peak1800 W Processore ControllerDSP 24 Bit/48 kHz System PresetsFlat - Bass boost - Bass reduction - Playback - Speech - Long throw - HPF 80 Hz - HPF 120 Hz LimiterDual Active, Peak, RMS, Thermal ControlsDSP rotary encoder, volume controles, MIC/LINE Switch Crossover Frequency LF-HF 160 Hz Input Section Mains ConnectionsVDE Signal Input1x Combo (XLR/Jack) balanced/unbalanced input â€" Mic/Line, 1x RCA stereo input Signal Out1x XLR balanced output with aux volume + 1x speakon to top Meccanica Housing (Subwoofer)Black Painted Plywood Housing (Tops)Multiplex Plywood Handles3 (1 on top + 1 each side on sub) Pole Mount36 mm (M20 threaded hole) Width (Top)110 mm (4.33 in) Height (Top)905 mm (35.63 in) Depth (Top)160 mm (6.3 in) Width (Subwoofer)360 mm (14.17 in) Height (Subwoofer)680 mm (26.77 in) Depth (Subwoofer)545 mm (21.46 in) Weight (Top)5.8 Kg â€" 12.79 lbs Weight (Subwoofer)29.3 Kg â€" 64.59 lbs Dimensione Suono di Mauro Di Diomede, via Felice Barnabei 30, 64100 Teramo db, sennheiser, shure, akg, beyerdynamic, rcf, fbt, meyer sound, montarbo, audiodesign, electro voice, soundcraft

Sistema dB Technologies ES503 disponibili in sede nuovo con garanzia 2 anni - siamo distributori ES503 è un sistema stereo composto da due top passivi e un subwoofer da 12”, che ospita un amplificatore con auto-range e un mixer a 3 canali con connessione Bluetooth®. Il DSP, controllato tramite uno schermo OLED, gestisce la dispersione del sistema e tutte le funzioni del mixer, rendendo l'ES503 un vero gioiello in termini di prestazioni audio e versatilità. specifiche tecniche: Speaker Type 3-amped Stereo System with two full-range tops and one subwoofer Dati acustici Frequency Response [-10dB]37 - 15.000 Hz Max SPL121 dB MF - HF8x 3" Type MF - HFNeodymium LF12" Directivity95x65° Amplificatore Amp TechnologyDigipro® G3 Amp ClassClass-D Power Amp Peak1000 W Processore ControllerDSP 24 Bit/48 kHz System PresetsFactory presets + User defined LimiterDual Active, Peak, RMS, Thermal Crossover Frequency LF-HF206 Hz Input Section Mic/Instrument Channel1x Combo (XLR/Jack) balanced/unbalanced input Line Channels2x Combo (XLR/Jack) balanced/unbalanced inputs Media Channel1x Bluetooth® built-in receiver Mix Output1x XLR balanced output Meccanica Housing (Subwoofer)15mm Black Painted Plywood Housing (Tops)Polypropylene PP Handles2x lateral side (Subwoofer) Width (Top)95 mm (3.74 in) Height (Top)360 mm (13.98 in) Depth (Top)137 mm (5.39 in) Width (Subwoofer)465 mm (18.3 in) Height (Subwoofer)400 mm (15.7 in) Depth (Subwoofer)430 mm (16.9 in) Weight (Top)1.9Kg â€" 4.19lbs. Weight (Subwoofer)16.4Kg â€" 36.16lbs. Dimensione Suono di Mauro Di Diomede, via Felice Barnabei 30, 64100 Teramo db, sennheiser, shure, akg, beyerdynamic, rcf, fbt, meyer sound, montarbo, audiodesign, electro voice, soundcraft

B-Hype M mixa le performance acustiche professionali della famiglia B-Hype con la più avanzata versatilità di un sistema PA completo portatile equipaggiato con un sistema microfonico wireless, audio media player con connessione Bluetooth, SD Card e porta USB, una batteria a lunga durata, ruote e una maniglia estraibile: tutto quello di cui hai bisogno per performance professionali mobili. Una soluzione perfetta per show itineranti, buskers, nuveau cirque, e tutte quelle performance che hanno luogo all'aperto in ambienti non convenzionali. Il sistema è dotato di: 1 uscita per il driver di compressione da 1 "e un woofer da 10". La sezione di input consente all'utente di collegare: fino a tre ingressi cablati, un microfono wireless e diversi ingressi multimediali (incluso Bluetooth®). Gli utenti possono anche collegare l'uscita audio a un secondo altoparlante. La sezione di controllo è dotata di un equalizzatore e di una funzione di priorità CH1 / RF che attenua il livello di ogni canale ma il canale 1 ei microfoni della radio per un effetto di ducking automatico e regolare. Il cabinet robusto e compatto (solo 12,5 kg - 27 lbs) è dotato di ruote e 3 maniglie (1 per lato e 1 retrattile nella parte superiore). Un supporto da palo da 36 mm consente anche l'uso su un supporto per diffusori. B · Hype M è disponibile in due versioni: con trasmettitore portatile (fascio B-HYPE M HT) o trasmettitore bodypack (fascio B-HYPE M BT). Entrambi sono dotati di antenne wireless. SPECIFICHE Diffusore biamplificato a batteria con microfono ad archetto Risposta in frequenza [-10dB]: 62 - 20000 Hz Max SPL: 123 dB Compression driver HF: 1" LF: 10" Dispersione: 90° x 45° Frequenza di crossover: 2400 Hz Amplificazione in classe D Potenza di picco: 190W Caricatore digitale Display OLED con 6 chiavi per media management 1 ricevitore UHF funzione IR sync Input Mic/Line: XLR / 1/4" Jack Combo (Mic - Line) Input stereo: 2x RCA In + 1x mini-Jack Porta USB tipo A per media files (MP3-WMA-AAC) + SD card Tempo di ricarica: 2h Connettività Bluetooth Mix Out: 1/4" Jack (unbalanced) Controlli volumne: 4 manopole rotative (Mic/Line, Stereo In, Master, Media) Controlli: 1 x Treble e 1 x Bass Equalizers Indicatori: 2 x LEDs (LIMITER, SIGNAL) Presa VDE Switch a 3 posizioni (On, Off, Recharge) Signal IN: 1x Combo (XLR/TRS) balanced; 1x stereo RCS; 1xmini-Jack Signal OUT: 1x TRS link Controlli: Master Volume, EQ (treble, bass), CH1/RF priority Cabinet in polipropilene Maniglie: 1 x lato; 1 x top Dimensioni: 300 x 568 x 301 mm Peso: 12.50 Kg

TEAC HA-501 Amplificatore Cuffie Nero TEAC HA­501 de la serie Reference. Amplificatore dual monoaurale. La qualità del suono è superiore nonostante il suo design discreto analogico. Fattore commutabile, per spostare i Diaframmi di gli altoparlanti nelle migliori condizioni (5 posizioni) Possibile regolare a seconda la funzione del auricolare in uso. Tecnologia attiva DC servo per eliminare le differenze di potenziale elettrica, e di ottenere una lettura stabile. Caratteristiche Dual MUSES8920 Op-amps for Left and Right channels 1,400mW + 1,400mW Output Power (at 32 ohms) Damping Factor Selector Over-sized Toroidal-core Power Transformer Full-metal Jacket, Rigid construction A pair of XLR connectors by Neutrik for balanced audio input 2 pair of RCA pin connectors for unbalanced audio input on rear (Gold-plated) 1 stereo audio input on front (1/8" or 3.5mm Stereo Mini Jack) 1 stereo headphone out on front (1/4" or 6.35mm Stereo Jack) 1 pair of RCA pin connectors for stereo unbalanced audio output (Gold-plated) Switchable output line level (Fixed, Variable, Off) +/-15V high voltage operation current achieved high S/N ratio Precisely machined aluminum knobs (Volume, Input Selector, Damping Factor Selector) Auto-muting when headphone plug is disconnected A 3-polar AC socket with a detachable AC cable

TEAC HA-501 Amplificatore Cuffie. Silver TEAC HA­501 de la serie Reference. Amplificatore dual monoaurale. La qualità del suono è superiore nonostante il suo design discreto analogico. Fattore commutabile, per spostare i Diaframmi di gli altoparlanti nelle migliori condizioni (5 posizioni) Possibile regolare a seconda la funzione del auricolare in uso. Tecnologia attiva DC servo per eliminare le differenze di potenziale elettrica, e di ottenere una lettura stabile. Caratteristiche Dual MUSES8920 Op-amps for Left and Right channels 1,400mW + 1,400mW Output Power (at 32 ohms) Damping Factor Selector Over-sized Toroidal-core Power Transformer Full-metal Jacket, Rigid construction A pair of XLR connectors by Neutrik for balanced audio input 2 pair of RCA pin connectors for unbalanced audio input on rear (Gold-plated) 1 stereo audio input on front (1/8" or 3.5mm Stereo Mini Jack) 1 stereo headphone out on front (1/4" or 6.35mm Stereo Jack) 1 pair of RCA pin connectors for stereo unbalanced audio output (Gold-plated) Switchable output line level (Fixed, Variable, Off) +/-15V high voltage operation current achieved high S/N ratio Precisely machined aluminum knobs (Volume, Input Selector, Damping Factor Selector) Auto-muting when headphone plug is disconnected A 3-polar AC socket with a detachable AC cable

Ciao sono Ermanno, vendo questo magnifico amplificatore Ampeg BA115 U, Combo, per Basso, 100 Watt. Questo amplificatore offre il classico tono Ampeg e prestazioni professionali con un prezzo altamente accessibile. Offre una potenza di 100 Watt con altoparlante da 15 "Ampeg e tweeter, ideale per locali di medie/grandi dimensioni. Il suo angolo di monitoraggio di 60 gradi offre una nitidezza senza pari. Uscita jack cuffie per l'esercitazione in silenzio. Tutto ciò rende L'Ampeg BA-115U l'amplificatore più professionale e allo stesso tempo ideale anche per lo studio domestico. Perfettamente funzionante e pari al nuovo. Chiamami subito a questo numero 3299744406 per qualsiasi informazione. Specifiche tecniche • RMS Power Output: 100-Watts • LF Driver: 1 x 15" Custom Ampeg Speaker • HF Driver: Piezo Tweeter • Preamp: Solid-State • Power Amp: Solid-State • Tone Controls: 3-Band EQ • Mid Tone Control: Style • Balanced Line Out: Yes • CD/MP3 Input: Yes • Headphone Output: Yes • Dimensions (W x H x D inches): 53.34x53.34x40.64cm • Weight: 28.12kg

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience ⤽positive acoustic⤝ feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

DI Plus Read user experiences here. "The ULTRASOUND DI Plus is a very powerful tool for any musician. This is not only a DI but a full featured preamp designed after our famous AG-series amps. Whether at a local open mic night or at a major concert venue, you will be able to dial in the clear natural acoustic sound that our amplifiers are known for, and route it to the stage PA through a balanced XLR output. Sound engineers will appreciate the versatile controls and the optional 48-volt phantom power operation. Therefore, no more wall warts or batteries if your mixer has phantom power. (Originally called ULTRA PDI.) INSTRUMENT INPUT: This input is designed for all passive and active type pickup signals. When a plug is inserted, the 9V battery is switched on. INSTRUMENT OUTPUT: This is a "parallel" jack which can be used to send the "guitar/instrument signal" to an external tuner, guitar amp or other device which can use an instrument level signal. EFX LOOP: This is a real world "EFX LOOP". In an effort to save room, most of our competition uses a TRS jack (tip, ring, sleeve) and Y cable type system. The DI+ is provided with two 1/4" jacks, one for "SEND" and one for "RETURN". Since the EFX LOOP interrupts the signal path it can be used as an insert point for a volume pedal, compressor, or tuner, if the tuner is equipped with a bypass switch. (Try that with one of our competitors units) SEND: The signal on the SEND jack is post-input gain and pre EQ. This means that you can use the SEND signal as an auxiliary unbalanced direct output. This signal is not affected by any of the panel controls with exception of the "INPUT GAIN" control. RETURN: A plug inserted into the RETURN jack will interrupt the signal path. The signal on the tip of the plug inserted into the RETURN jack will be the signal that the DI Plus will process. INPUT GAIN: The "INPUT GAIN" is not a volume control, rather this control sets the level of amplification applied to the input signal to boost it to a useable level. The reason this is adjustable is to accommodate a wide range of pickup devices. BASS: This is an "Active" control. The BASS control adjusts the amount of cut or boost in the low frequency (150HZ) range. TREBLE: This is an "Active" control. The TREBLE control adjusts the amount of cut or boost in the high frequency (5kHZ) range. NOTCH FILTER: ON/OFF - Enables or disables the NOTCH FILTER control. FREQ. HZ - Sets the frequency (100-350HZ) of the 18db cut NOTCH FILTER that is used to control resonant feedback. SHAPE: ON/OFF - This toggle switch enables or disables the SHAPE control. This control is a mid dip control. In the ON position, the mid frequencies will be cut and the high and low frequencies will be boosted. PHASE: IN/OUT - Changes the polarity of the signal. Phase affects the way the guitar top is pressurized by the loudspeakers. When the signals are out of phase with each other, low-end feedback is minimized. If you experience “positive acoustic” feedback on stage, flip the phase switch from its current setting to see if this will kill the feedback. If inverting phase alone does not eliminate feedback, the notch filter can be used. Phase will also affect the way the guitar signal mixes live and when recording. XLR LEVEL: This control adjusts the amount of signal sent to the XLR OUT jack. LINE LEVEL: This control adjusts the amount of signal sent to the LINE OUT jack. 48V: (Phantom Power) This LED lights when there is 48V Phantom Power present on the XLR OUT jack. No battery drain will occur when Phantom Power is present. POWER: This LED indicates the DI PLUS is ready to operate. The POWER LED will illuminate when: A. A plug is inserted into the INPUT jack and there is a fresh battery installed in the DI PLUS. B. A 9VDC adapter (Wall Wart) is plugged into the power jack. (9VDC Regulated Power Supply - 500mA) (2.1MM DC Power Plug, Center +) C. There is 48V phantom power on the XLR cable plugged into the XLR OUT jack. (The 48V LED and the POWER LED will both be illuminated.) XLR OUT: Plug a standard XLR cable from your PA or recording console into this low impedance balanced output. Use the "XLR LEVEL" control to set the output level which matches up best with your PA or recording gear and gives you the least amount of noise. If your board provides 48V phantom power on the XLR cables, the DI Plus will run from this and save the battery. It is suggested that you keep a battery in the unit as a backup when using the phantom power. If the phantom power drops, the DI Plus will automatically switch to battery power. LINE OUT: This is a standard unbalanced line level output signal. Use the "LINE LEVEL" control to adjust the signal level on this jack. This output can be used simultaneously with the XLR OUT jack for some creative signal routing. Plug a standard instrument cable from this output to a stage monitor amp or unbalanced Mic input on a mixer.

Satellite Power: 400 W RMS - 800 W max. Nominal impedance: 4 ohm Woofer: 3 x 8" neodymium Tweeter: 12 x 1" Dispersion: 100° x 70° (H x V) (-10 dB) Dimensions: 255 x 695 x 400 mm Net weight: 11.5 kg Subwoofer Power: 700 W RMS - 1400 W max. Nominal impedance: 4 ohm Woofer: 1 x 15" Dimensions: 483 x 725 x 585 mm Net weight: 36.5 kg Satellite + subwoofer Frequency response: 35 - 18,000 Hz SPL max. (@ 1 m): 128 dB Amplification Low stage: 1 x 700 W RMS / 1400 W max. at 4 ohm Mid/high stage: 1 x 400 W RMS / 800 W max at 4 ohm Level: level adjustment on each channel + master Sub: adjustment of the level of the box Inputs CH1: 1 x XLR Combo / line jack / MIC CH2: 1 x XLR / line jack / MIC Combo CH3: 1 x line jack CH4/5: 1 x RCA L/R line + Bluetooth input Input impedances MIC 1/2: balanced 40 kohm Line 1/2: symmetrical 10 kohm Line 3: symmetrical 20 kohm Line 4/5: asymmetrical 5 kohm Outputs 1 x insert on top of the satellite box 1 x XLR MIX OUT balanced for output to another system 2 x XLR LINE OUT symmetrical for repique CH1 and 2 DSP 24 bit (1 in 2 out) EQ / presets / low cut / delay / Bluetooth TWS